Original Copy: Plagiarism and Originality in Nineteenth-Century LiteratureOUP Oxford, 8 มี.ค. 2007 - 244 หน้า '"Originality" is only plagiarizing from a great many', remarked Rupert Brooke, stealing the line from Voltaire. Questions of originality, and accusations of plagiarism, are as old as literature, but different literary cultures have interpreted the relationship between originality and plagiarism in startlingly dissimilar ways.Original Copy investigates and documents the drastic reappraisal of literary originality and plagiarism which occurred over the course of the nineteenth century: from the heroic visions of original authorship that characterised the 1820s and 1830s, through to the stickle-brick creativity of Oscar Wilde and Lionel Johnson at the century's end. It reveals how ideas of originality and plagiarism were not only a theoretical concern of Victorian commentators on literature, but also providedmany important Victorian writers - Eliot, Dickens, Reade, Pater, Wilde, and Lionel Johnson among them - with a creative resource. Moving between numerous different fields of thought and knowledge - literary criticism, the history of science, manuscript culture, anthropology - and written in a supple andelegant style, this book shows that the ideas of originality and plagiarism were the subjects of nineteenth-century literature, as well as what it was subject to. |
เนื้อหา
Romantic Originality | 18 |
Legitimizing Appropriation | 50 |
George Eliot Originality and Plagiarism | 92 |
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Original Copy: Plagiarism and Originality in Nineteenth-Century Literature Robert Macfarlane ชมบางส่วนของหนังสือ - 2007 |
Original Copy: Plagiarism and Originality in Nineteenth-Century Literature Robert Macfarlane ชมบางส่วนของหนังสือ - 2007 |
คำและวลีที่พบบ่อย
aesthetic appropriation Arthur Symons artist assimilation authorship borrowed Brander Matthews called Charles Reade concept contemporary creation critical culture Daniel Deronda decades Dickens Dickens's discussion E. F. Benson Emerson English essay fiction fin-de-siècle G. H. Lewes genius George Eliot Household Words Ibid idea of originality imagination imitation Impressions Impressions of Theophrastus individual intellectual intertextuality invention John Johnson language Letters Lewes Lewes's Lionel Johnson literary creativity literary originality literary property literary resemblance literature London Magazine Marius metaphor Middlemarch mind misquotations modern Mutual Friend narrative nineteenth century notion novel novelist originality and plagiarism Oscar Wilde Oxford University Press phrase plagiarism hunters Plagiarist poem poet poetic poetry quotations Quoted Reade's recycling repetition reuse Review Romantic Romanticism scrapbook sense Shakespeare sources style suggested T. S. Eliot Tennyson texts textual Theophrastus theory thought Trade Malice tradition unconscious unoriginality Victorian voices Walter Pater Wilde's William writers wrote