Greek HomosexualityHarvard University Press, 1989 - 244 ˹éÒ To what extent and in what ways was homosexuality approved by the ancient Greeks? Here is the first serious examination of this question, written by an eminent classical scholars. The author explores all the sources of information we have: vase paintings, archaic and classical poetry, the dialogues of Plato, speeches in the lawcourts, the comedies of Aristophanes. He shows what restraints were imposed by law, and looks at the Athenians' idea of beauty in the human body, their notion of manliness. A discussion of female homosexuality is included. His judicious analysis offers an understanding of Greek distinctions and practices that will well serve anyone interested in classical art and society. -- From publisher's description. |
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˹éÒ 95
... picture is lost ) has clearly gained one important objective , for he is handling the penis of the eromenos as if shaking hands with it . One youth in B250 * expostulates , but does not protect his genitals from the touch of the man's ...
... picture is lost ) has clearly gained one important objective , for he is handling the penis of the eromenos as if shaking hands with it . One youth in B250 * expostulates , but does not protect his genitals from the touch of the man's ...
˹éÒ 118
... picture itself , e.g .: R82 * ( a youth titillating a woman ) and R247 ( a youth in bed with a woman ) ' the boy is beautiful ' ; so too R484 and R494 * ( pin - up youths ) and R498 * ( a loping youth ) . However , as in the case of the ...
... picture itself , e.g .: R82 * ( a youth titillating a woman ) and R247 ( a youth in bed with a woman ) ' the boy is beautiful ' ; so too R484 and R494 * ( pin - up youths ) and R498 * ( a loping youth ) . However , as in the case of the ...
˹éÒ 121
... picture or any part thereof , are all moments in the history of the phenomenon , and every instance has to be considered on its merits . Caprice and arbitrariness on the part of the painter must be allowed to have played some part ; 29 ...
... picture or any part thereof , are all moments in the history of the phenomenon , and every instance has to be considered on its merits . Caprice and arbitrariness on the part of the painter must be allowed to have played some part ; 29 ...
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THE PROSECUTION OF TIMARKHOS | 19 |
Status | 31 |
B Manifestations of Eros | 39 |
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