Greek HomosexualityHarvard University Press, 1989 - 244 ˹éÒ To what extent and in what ways was homosexuality approved by the ancient Greeks? Here is the first serious examination of this question, written by an eminent classical scholars. The author explores all the sources of information we have: vase paintings, archaic and classical poetry, the dialogues of Plato, speeches in the lawcourts, the comedies of Aristophanes. He shows what restraints were imposed by law, and looks at the Athenians' idea of beauty in the human body, their notion of manliness. A discussion of female homosexuality is included. His judicious analysis offers an understanding of Greek distinctions and practices that will well serve anyone interested in classical art and society. -- From publisher's description. |
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˹éÒ 72
... youth in R471 * and R472 * is worth noticing . ) In R958 * a youth , though his feet are planted firmly enough on the ground , thrusts out one hip which is of distinctly female shape , and the painter has shown the line from hip to ...
... youth in R471 * and R472 * is worth noticing . ) In R958 * a youth , though his feet are planted firmly enough on the ground , thrusts out one hip which is of distinctly female shape , and the painter has shown the line from hip to ...
˹éÒ 92
... youth is naked , the boy clothed ) . In R867 * men and youths expostulate in the same way with women . B266 , with which Beazley compares the man and boy of B622 , shows an unhappy man sagging at the knees and looking up piteously into ...
... youth is naked , the boy clothed ) . In R867 * men and youths expostulate in the same way with women . B266 , with which Beazley compares the man and boy of B622 , shows an unhappy man sagging at the knees and looking up piteously into ...
˹éÒ 95
... youth offers no resistance to being touched ( he holds a spear , butt on ground , in one hand , and a garland in the other ) , while the youth in the scene on the other side of the vessel grasps the man's wrist in restraint . Both ...
... youth offers no resistance to being touched ( he holds a spear , butt on ground , in one hand , and a garland in the other ) , while the youth in the scene on the other side of the vessel grasps the man's wrist in restraint . Both ...
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THE PROSECUTION OF TIMARKHOS | 19 |
Status | 31 |
B Manifestations of Eros | 39 |
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