Theatre in Southeast AsiaHarvard University Press, 1 ม.ค. 1967 - 448 หน้า An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia—Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. James Brandon spent more than three years observing and interviewing troupe members in these countries. He describes twenty-five of the most important theatrical forms, grouping them according to their origins as folk, court, popular, or Western theatre. He considers the theatre from four perspectives: its origins, its art, its role as a social institution, and its function as a medium of communication and propaganda. Brandon’s wide-ranging and lively discussion points out interesting similarities and differences among the countries, and many of his superb photographs are included here. |
เนื้อหา
INTRODUCTION | 1 |
A Historical Background | 5 |
THE CULTURAL SETTING | 7 |
ลิขสิทธิ์ | |
69 เนื้อหาอื่นๆ ไม่ได้แสดงไว้
ฉบับอื่นๆ - ดูทั้งหมด
คำและวลีที่พบบ่อย
actors animistic ardja Arjuna artistic audience BAKOKSI Bali Balinese Ballet Bandung Bangkok bangsawan barong Brahmanic Buddhist Burma Burmese cai luong cai luong troupes Cambodia century Chinese opera classic clown costumes culture dagelan dalang dance dance-drama dancers epic gamelan Hanoman hero Indian Indonesia Islamic Jataka Jataka stories jatri Java Javanese Javanese wayang Jogjakarta ketoprak ketoprak troupe Khmer kich king kingdom lakon lakon bassac lakon jatri lakon nai Laos likay ludruk magic power Mahabharata Malay Malaysia melodies mohlam luong movie nang talung nang yai nese ogre palace Panji percent Philippines pi phat popular theatre prince professional troupes Rama Ramayana Ravana religious Royal rupiah Saigon sandiwara scenes shadow singers songs Southeast Asia stage style Sundanese temple Thai National Theatre Thailand theatre forms theatre troupes tion traditional troupes perform Type Untung Vietnam Vietnamese village wayang golek wayang kulit wayang orang troupe wayang play Western