| Frank Lentricchia - 1980 - 406 ˹éÒ
...preface to Mythologies Barthes makes this statement on the origin and intention of his collection: The starting point of these reflections was usually...turn, and I wanted to track down, in the decorative display of what- goes-withoutsaying, the ideological abuse, which, in my view, is hidden there.94 Among... | |
| Robert B. Ray - 1985 - 426 ˹éÒ
...and the man-made into the timeless and the natural. As Barthes writes in his Preface to Mythologies: The starting point of these reflections was usually...newspapers, art and common sense constantly dress up reality which, even though it is the one we live in, is undoubtedly determined by history. In short... | |
| Susan Leigh Foster - 1986 - 342 ˹éÒ
...Hill & Wang, 1972), Roland Barthes writes: The starting point of these reflections was usually the feeling of impatience at the sight of the "naturalness"...common sense constantly dress up a reality which, though it is the one we live in, is undoubtedly determined by history. In short, in the account given... | |
| James Edward Young - 1988 - 260 ˹éÒ
...Barthes writes that "The starting point of [his reflections on current events and popular culture] was usually a feeling of impatience at the sight of...turn, and I wanted to track down, in the decorative display of what-goes-without-saying, the ideological abuse which, in my view, is hidden there."3 By... | |
| Denis Wood, John Fels - 1992 - 260 ˹éÒ
...intact. What response should be mounted to the bland front of this Naturalization of the Cultural? For Roland Barthes: The starting point of these reflections...turn, and I wanted to track down, in the decorative display of what-goes-without-saying, the ideological abuse which, in my view, is hidden there.10 It... | |
| Bat-Ami Bar On - 1994 - 302 ˹éÒ
...apprehend them, finally, in all their human dimensions." "Treason Our Text,"Lillian Robinson 1 "... The starting point of these reflections was usually...art and common sense constantly dress up a reality . . . I wanted to track down, in the decorative display of what goes without saying the ideological... | |
| Anthony C. Thiselton - 1992 - 728 ˹éÒ
...a ritual than as a genuine contest.53 This book has been written, Barthes tells us frankly, out of "a feeling of impatience at the sight of the 'naturalness' with which newspapers, art, and common sense constandy dress up reality ... I resented seeing Nature and History confused at every turn."5* The... | |
| E. C. Cuff, Wes W. Sharrock, D. W. Francis - 1998 - 368 ˹éÒ
...cultural configuration, that of modern, bourgeois society. Barthes's starting point, he declaimed, was a feeling of impatience at the sight of the 'naturalness'...we live in, is undoubtedly determined by history. . . I resented seeing Nature and History confused at every turn, and I wanted to track down, in the... | |
| E. C. Cuff, Wes W. Sharrock, D. W. Francis - 1998 - 376 ˹éÒ
...cultural configuration, that of modern, bourgeois society. Barthes's starting point, he declaimed, was a feeling of impatience at the sight of the 'naturalness'...one we live in, is undoubtedly determined by history . . . I resented seeing Nature and History confused at every turn, and I wanted to track down, in the... | |
| Raymond Tallis - 1998 - 236 ˹éÒ
...into a universal nature' - just as Barthes did or attempted in the realistic essays in Mythologiques: The starting point of these reflections was usually...sight of the 'naturalness' with which newspapers, an and common sense constantly dress up a reality which, even though it is the one we live in, is undoubtedly... | |
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