Coleridge's Literary CriticismH. Frowde, 1908 - 266 ˹éÒ |
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
admirable Aeschylus ancient Anima Poetae Beaumont and Fletcher beautiful Ben Jonson Caliban character characteristic Coleridge common composition connexion criticism defect delight diction distinct distinguished drama dramatists effect equally Euripides excellence excitement expressed exquisite faculty Faery Queene fancy feelings genius greater Greek Hamlet heart human images imagination imitation individual instance judgement language Lear less lines Lyrical Lyrical Ballads Macbeth Massinger meaning metre Milton mind mode Monsieur Thomas moral nature never object observed once Othello passages passion peculiar perhaps philosopher Pindar play pleasure poem poet poet's poetic poetry possessed present principles produce prose reader rhyme Romeo and Juliet scarcely scene sense Shakespeare Sophocles soul spirit style sweet T. T. Aug T. T. July T. T. June taste things thou thought tion true truth Venus and Adonis verse whole words Wordsworth writings
º·¤ÇÒÁ·Õèà»ç¹·Õè¹ÔÂÁ
˹éÒ 244 - Rumble thy bellyful! Spit, fire! spout, rain! Nor rain, wind, thunder, fire, are my daughters: I tax not you, you elements, with unkindness; I never gave you kingdom, call'd you children, You owe me no subscription: then, let fall Your horrible pleasure; here I stand, your slave, A poor, infirm, weak, and despis'd old man.
˹éÒ 236 - Of thinking too precisely on the event, A thought which, quarter'd, hath but one part wisdom And ever three parts coward, I do not know Why yet I live to say, This thing's to do ; Sith I have cause and will and strength and means To do't.
˹éÒ viii - The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other according to their relative worth and dignity.
˹éÒ 88 - Listening, a gentle shock of mild surprise Has carried far into his heart the voice Of mountain torrents; or the visible scene Would enter unawares into his mind With all its solemn imagery, its rocks, Its woods, and that uncertain heaven received Into the bosom of the steady lake.
˹éÒ 177 - Lo, here the gentle lark, weary of rest, From his moist cabinet mounts up on high, And wakes the morning, from whose silver breast The sun ariseth in his majesty; Who doth the world so gloriously behold, That cedar-tops and hills seem burnish'd gold.
˹éÒ 171 - Not mine own fears, nor the prophetic soul Of the wide world dreaming on things to come, Can yet the lease of my true love control, Supposed as forfeit to a confined doom.
˹éÒ 172 - With this he breaketh from the sweet embrace Of those fair arms which bound him to her breast, And homeward through the dark laund runs apace; Leaves Love upon her back, deeply distress'd. Look how a bright star shooteth from the sky, So glides he in the night from Venus...
˹éÒ 36 - Humble and rustic life was generally chosen because in that condition the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language...
˹éÒ 80 - The dew shall weep thy fall to-night ; For thou must die. Sweet Rose, whose hue, angry and brave, Bids the rash gazer wipe his eye, Thy root is ever in its grave, And thou must die.
˹éÒ 219 - This England never did, (nor never shall,) Lie at the proud foot of a conqueror, But when it first did help to wound itself. Now these her princes are come home again, Come the three corners of the world in arms, And we shall shock them : Nought shall make us rue, If England to itself do rest but true.