This Is a Picture and Not the World: Movies and a Post-9/11 AmericaState University of New York Press, 1 ก.พ. 2012 - 291 หน้า In This Is a Picture and Not the World, Joseph Natoli employs the lingua franca of film itself—screenplay dialogue—as well as the more recent form of the political blog to present a hyperreal account of popular film as both a creator and a reflector of our post-9/11 mass psyche. Drawing on both classic and contemporary film examples, the book also offers a quasihistory of film genres, including science fiction, the western, film noir, and screwball comedy, emphasizing how these genres have been shaken up, recontextualized, recombined, turned self-reflexive, and parodied over the past couple of decades. Taken together, these satirical parodies of screenplays and blogs reveal and perform how our very gaze has shifted from modern to postmodern, from a direct view of the world to a filtered one. |
จากด้านในหนังสือ
ผลการค้นหา 1 - 5 จาก 36
หน้า 12
... past. We make a world of reality by the very act of narrating that reality. We are “worlding” in Heidegger's view, that is, we are transposing at the moment of intentional perception something not “out there” but rather something we are ...
... past. We make a world of reality by the very act of narrating that reality. We are “worlding” in Heidegger's view, that is, we are transposing at the moment of intentional perception something not “out there” but rather something we are ...
หน้า 15
... past and the hyperreal? A matter of degree. Patrick Henry or Paul Revere or John Paul Jones and so on get into the mix of a Revolutionary war narrative. There's an imagined community back then through which everything is filtered. But ...
... past and the hyperreal? A matter of degree. Patrick Henry or Paul Revere or John Paul Jones and so on get into the mix of a Revolutionary war narrative. There's an imagined community back then through which everything is filtered. But ...
หน้า 19
... past picturing of the world without those 9/11 lenses on. That's postmod too. PRODUCER: Did we get this on film? Okay, make it part of the intro. Intro. Take 2. WRITER: This is a story I, an inveterate expounder of postmodernity, tell ...
... past picturing of the world without those 9/11 lenses on. That's postmod too. PRODUCER: Did we get this on film? Okay, make it part of the intro. Intro. Take 2. WRITER: This is a story I, an inveterate expounder of postmodernity, tell ...
หน้า 36
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หน้า 39
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เนื้อหา
1 | |
17 | |
Postmod Screwball | 31 |
Futurescape | 53 |
Frontierscape | 81 |
Noirscape | 101 |
Magic Town Americas Heartland | 119 |
The ShortTerm Memory Detective | 143 |
Never Far from Melodrama | 153 |
The Jesus Genre | 169 |
This Genre Does Not Exist | 181 |
FearscapeThrillscapeNightscape | 209 |
American Cool | 231 |
PostHurricane Katrina | 261 |
Index of Film Titles | 279 |
ฉบับอื่นๆ - ดูทั้งหมด
This Is a Picture and Not the World: Movies and a Post-9/11 America Joseph Natoli ชมบางส่วนของหนังสือ - 2007 |
This Is a Picture and Not the World: Movies and a Post-9/11 America Joseph Natoli ไม่มีตัวอย่าง - 2007 |
คำและวลีที่พบบ่อย
Agent Starwing already American attack aware become beginning Bill Blog bring brother Bush can’t capitalism CAPTAIN characters CHIEF classic comedy comes connect conservative cool corporate created cultural dark dead death desire Doctor don’t dream evil face fear film noir Frank genre George give haunted he’s head heart Hollywood human imagination Iraq it’s Jack JOSEPH NATOLI keep KEVIN NICHOLOFF kind liberals live look mean memory mind moral movie nature never ourselves parody past picture play political postmodern present president reality reason rebel screen screwball Script sense small-town social story talking tell That’s There’s thing town trying turn United VINCENT watching we’re Western What’s who’s whole writer you’re
บทความที่เป็นที่นิยม
หน้า 196 - The right to a useful and remunerative job in the industries or shops or farms or mines of the Nation; The right to earn enough to provide adequate food and clothing and recreation...
หน้า 163 - I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world.
หน้า 26 - ... of liberation made and never carried into effect — these have done much, perhaps most. But the share of Hollywood in lowering the white man's prestige is by no means inconsiderable. A people whose own propagandists proclaim it to be mentally and morally deficient, cannot expect to be looked up to. If films were really true to life, the whole of Europe and America would deserve to be handed over as mandated territories to the Basutos, the Papuans and the Andaman pygmies. Fortunately, they are...
หน้า 143 - Quebracho. These recollections were not simple; each visual image was linked to muscular sensations, thermal sensations, etc. He could reconstruct all his dreams, all his fancies. Two or three times he had reconstructed an entire day. He told me: / have more memories in myself alone than all men have had since the world was a world.
หน้า 137 - But assuming the press reports are right, it's a terrible thing to say, and it unfortunate. And that's why — there was an earlier question about has the President said anything to people in his own party — they're reminders to all Americans that they need to watch what they say, watch what they do. This is not a time for remarks like that; there never is.
หน้า 77 - Terrorism by definition strikes at the innocent in order to draw attention to the sins of the invulnerable. The innocent of the twenty-first century are going to harvest unexpected blowback disasters from the imperialist escapades of recent decades. Although most Americans may be largely ignorant of what was, and still is, being done in their names, all are likely to pay a steep price — individually and collectively — for their nation's continued efforts to dominate the global scene.
หน้า 104 - I caught the blackjack right behind my ear. A black pool opened up at my feet. I dived in. It had no bottom.