JEREMY TAYLOR.

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which I close mine eyes in security, content to take my leave of the sun, and sleep unto the resurrection."

Jeremy Taylor, born in 1613, was the most poetic of English prose-writers: if he had written verse equal to his prose, he would have had a lofty place amongst poets as well as amongst preachers. Taking the opposite side from Milton, than whom he was five years younger, he was, like him, conscientious and consistent, suffering while Milton's cause prospered, and advanced to one of the bishoprics hated of Milton's soul when the scales of England's politics turned in the other direction. Such men, however, are divided only by their intellects. When men say, "I must or I must not, for it is right or it is not right," then are they in reality so bound together, even should they not acknowledge it themselves, that no opposing opinions, no conflicting theories concerning what is or is not right, can really part them. It was not wonderful that a mind like that of Jeremy Taylor, best fitted for worshipping the beauty of holiness, should mourn over the disrupted order of his church, or that a mind like Milton's, best fitted for the law of life, should demand that every part of that order which had ceased to vibrate responsive to every throb of the eternal heart of truth, should fall into the ruin which its death had preceded. The church was hardly dealt with, but the rulers of the church have to bear the blame.

Here are those I judge the best of the bishop's Festival Hymns, printed as part of his Golden Grove, or Guide to Devotion. In the first there is a little

confusion of imagery; and in others of them will be found a little obscurity. They bear marks of the careless impatience of rhythm and rhyme of one who though ever bursting into a natural trill of song, sometimes with more rhymes apparently than he intended, would yet rather let his thoughts pour themselves out in that unmeasured chant, that "poetry in solution," which is the natural speech of the prophetorator. He is like a full river that must flow, which rejoices in a flood, and rebels against the constraint of mole or conduit. He exults in utterance itself, caring little for the mode, which, however, the law of his indwelling melody guides though never compels. Charmingly diffuse in his prose, his verse ever sounds as if it would overflow the banks of its self-imposed restraints.

THE SECOND HYMN FOR ADVENT; OR, CHRIST'S COMING TO JERUSALEM IN TRIUMPH.

Lord, come away;

Why dost thou stay?

Thy road is ready; and thy paths made straight
With longing expectation wait

The consecration of thy beauteous feet.
Ride on triumphantly: behold we lay
Our lusts and proud wills in thy way.

Hosanna! welcome to our hearts! Lord, here
Thou hast a temple too, and full as dear

As that of Sion, and as full of sin :

Nothing but thieves and robbers dwell therein.
Enter, and chase them forth, and cleanse the floor;
Crucify them, that they may never more

Profane that holy place

Where thou hast chose to set thy face.

FROM THE GOLDEN GROVE.

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And then if our stiff tongues shall be
Mute in the praises of thy deity,
The stones out of the temple-wall

Shall cry aloud and call

Hosanna! and thy glorious footsteps greet.

HYMN FOR CHRISTMAS-DAY; BEING A DIALOGUE BETWEEN THREE SHEPHERDS.

Chorus. O what a gracious God have we!

How good? How great? Even as our misery.

A HYMN FOR CHRISTMAS-DAY.

Awake, my soul, and come away;

Put on thy best array,

Lest if thou longer stay,

Thou lose some minutes of so blest a day.

To-day Almightiness grew weak;
The Word itself was mute, and could not speak.

That Jacob's star which made the sun
To dazzle if he durst look on,

Now mantled o'er in Bethlehem's night,
Borrowed a star to show him light.,

Chorus.

He that begirt each zone,

To whom both poles are one,
Who grasped the zodiac in his hand,
And made it move or stand,

Is now by nature man,

By stature but a span;
Eternity is now grown short;
A king is born without a court;
The water thirsts; the fountain's dry;
And life, being born, made apt to die.

Then let our praises emulate and vie
With his humility!

Since he's exiled from skies

That we might rise,—

From low estate of men

Let's sing him up again!

Each man wind up his heart
To bear a part

In that angelic choir, and show

His glory high, as he was low.

Let's sing towards men goodwill and charity,

Peace upon earth, glory to God on high!

Hallelujah Hallelujah!

This last is quite regular, that is, the second stanza is arranged precisely as the first, though such will not appear to be the case without examination: the disposition of the lines, so various in length, is confusing though not confused.

In these poems will be found that love of homeliness which is characteristic of all true poets-and orators too, in as far as they are poets. The meeting of the homely and the grand is heaven. One more.