The first stanza seems to me very fine, especially the verse, "Return possessed of what they pray thee." The third stanza might have been written after the Spanish Philip's Armada, but both King David and Sir Philip Sidney were dead before God brake that archer's bow. The fourth line of the next stanza is a noteworthy instance of the sense gathering to itself the sound, and is in lovely contrast with the closing line of the same stanza. One of the most remarkable specimens I know of the play with words of which I have already spoken as common even in the serious writings of this century, is to be found in the next line: "Where earth. doth end with endless ending." David, regarding the world as a flat disc, speaks of the ends of the earth: Sidney, knowing it to be a globe, uses the word of the Psalmist, but re-moulds and changes the form of it, with a power fantastic, almost capricious in its wilfulness, yet causing it to express the fact with a marvel of precision. We see that the earth ends; we cannot reach the end we see; therefore the earth doth end with endless ending." It is a case of that contradiction in the form of the words used, which brings out a truth in another plane as it were;-a paradox in words, not in meaning, for the words can bear no meaning but the one which reveals its own reality. 1 There has been some blundering in the transcription of the last two lines of this stanza. In the former of the two I have substituted doth for dost, evidently wrong. In the latter, the word cradle is doubtful. I suggest cradled, but am not satisfied with it. The meaning is, however, plain enough. LORD, THOU HAST SEARCHED ME. 85 The following little psalm, The Lord reigneth, is a thunderous organ-blast of praise. The repetition of words in the beginning of the second stanza produces a remarkably fine effect. PSALM XCIII. Clothed with state, and girt with might, Monarch-like Jehovah reigns; He who earth's foundation pight- In thy house where we adore. pitched. I close my selections from Sidney with one which I consider the best of all: it is the first half of Lord, thou hast searched me. PSALM CXXXIX. O Lord, in me there lieth nought Thou markest it; No less thou notest when I rise : Yea, closest closet of my thought And every where: Not youngest thought in me doth grow, But, yet unuttered, thou dost know. If forth I march, thou goest before; Thy guard I lack ; Nay, on me too thy hand I find. But never reach with earthy mind. To shun thy notice, leave thine eye, Thy throne is there. To dead men's undelightsome stay? O sun, whom light nor flight can match! And I could flee As far as thee the evening brings : Ev'n led to west he would me catch, Nor should I lurk with western things. Do thou thy best, O secret night, In sable veil to cover me: Thy sable veil Shall vainly fail: With day unmasked my night shall be; O father of all lights, to thee. Note the most musical play with the words light and flight in the fifth stanza. There is hardly a line that is not delightful. They were a wonderful family those Sidneys. Mary, for whom Philip wrote his chief work, thence called "The Countess of Pembroke's Arcadia," was a woman THE COUNTESS OF PEMBROKE. 87 of rare gifts. The chief poem known to be hers is called Our Saviour's Passion. It is full of the faults of the age. Sir Philip's sport with words is so graceful and ordered as to subserve the utterance of the thought his sister's fanciful convolutions appear to be there for their own sake-certainly are there to the obscuration of the sense. The difficulty of the poem arises in part, I believe, from corruption, but chiefly from a certain fantastic way of dealing with thought as well as word of which I shall have occasion to say more when we descend a little further. It is, in the main, a lamentation over our Saviour's sufferings, in which the countess is largely guilty of the very feminine fault of seeking to convey the intensity of her emotions by forcing words, accumulating forms, and exaggerating descriptions. This may indeed convince as to the presence of feeling, but cannot communicate the feeling itself. The right word will at once generate a sympathy of which all agonies of utterance will only render the willing mind more and more incapable. The poem is likewise very diffuse—again a common fault with women of power; for indeed the faculty of compressing thought into crystalline form is one. of the rarest gifts of artistic genius. It consists of a hundred and ten stanzas, from which I shall gather and arrange a few. He placed all rest, and had no resting place; Suffered them live, by whom himself was slain : Whose mansion heaven, yet lay within a manger; Who died for them that highly did offend him, Who came no further than his Father sent him, And did fulfil but what he did command him; Who prayed for them that proudly did torment him For telling truly of what they did demand him ; Who did all good that humbly did intreat him, And bare their blows, that did unkindly beat him. Had I but seen him as his servants did, At sea, at land, in city, or in field, Then might my sorrow somewhat be appeased, No! I have run the way of wickedness, Nor by my sins what sweetness I have lost. Oh sin! for sin hath compassed me about, That, Lord, I know not where to find thee out. Where he that sits on the supernal throne, But he is clothed with truth and righteousness, Where heavenly love is cause of holy life, 1 "The very blessing the soul needed." |