Between Men: English Literature and Male Homosocial DesireColumbia University Press, 1992 - 244 หน้า At the time of its first appearance in 1985 Between Men was viewed as an important intervention into Feminist as well as Gay and Lesbian studies. It was an important book because it argued that "sexuality" and "desire" were not a historical phenomenon but carefully managed social constructs. This insight (that actually originated with Michael Foucault) is often viewed as anti-humanist or post-humanist because it argues that men and women are simply the products of patriarchal power relations over which they have no control. By mobilizing Foucault's theories of the history of sexuality Sedgwick re-fashions Feminism and Gay and Lesbian Studies to make it seem as though Feminism and Gay and Lesbian studies are ideally situated to continue those interventions into the history of sexuality begun by Foucault. |
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ผลการค้นหา 1 - 5 จาก 26
หน้า vii
... pleasure went into its writing : The Osborne computer ( " portable " at thirty - five pounds ) , whose tiny screen evoked the undefrostable wind- shield of a Volkswagen Beetle ; the waxy takeout cartons of double - cooked pork that ...
... pleasure went into its writing : The Osborne computer ( " portable " at thirty - five pounds ) , whose tiny screen evoked the undefrostable wind- shield of a Volkswagen Beetle ; the waxy takeout cartons of double - cooked pork that ...
หน้า 7
... pleasure in violation be- comes her sensuality . And MacKinnon sums up this part of her argument : " Socially , female- ness means femininity , which means attractiveness to men , which means sexual attractiveness , which means sexual ...
... pleasure in violation be- comes her sensuality . And MacKinnon sums up this part of her argument : " Socially , female- ness means femininity , which means attractiveness to men , which means sexual attractiveness , which means sexual ...
หน้า 17
... pleasure from within or alongside the English canon that represented particularly interesting in- terpretive problems , or particularly symptomatic historical and ideologi- cal nodes , for understanding the politics of male ...
... pleasure from within or alongside the English canon that represented particularly interesting in- terpretive problems , or particularly symptomatic historical and ideologi- cal nodes , for understanding the politics of male ...
หน้า 19
... pleasure — of using feminist theoretical paradigms to write about eros and sex , have led to a relative deemphasis of the many , crucially important male homosocial bonds that are less glamorous to talk about — such as the institutional ...
... pleasure — of using feminist theoretical paradigms to write about eros and sex , have led to a relative deemphasis of the many , crucially important male homosocial bonds that are less glamorous to talk about — such as the institutional ...
หน้า 37
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เนื้อหา
Gender Asymmetry and Erotic Triangles | 21 |
Swan in Love The Example of Shakespeares Sonnets | 28 |
The Country Wife Anatomies of Male Homosocial Desire | 49 |
A Sentimental Journey Sexualism and the Citizen of the World | 67 |
Toward the Gothic Terrorism and Homosexual Panic | 83 |
Murder Incorporated Confessions of a Justified Sinner | 97 |
Tennysons Princess One Bride for Seven Brothers | 118 |
Adam Bede and Henry Esmond Homosocial Desire and the Historicity of the Female | 134 |
คำและวลีที่พบบ่อย
Adam Bede apparently aristocratic Beatrix bourgeois Bradley Carpenter Castlewood century chapter context Country Wife cuckold culture D. H. Lawrence described Dickens Dinah discussion economic Edward Carpenter Edwin Drood embodied English erotic triangle Eugene Wrayburn fair youth fantasy father female femininity feminism feminist fiction Freud gender genital Gil-Martin Gothic novel hand Henry Esmond heterosexual historical homophobia homophobic homosexual panic Horner ideological important instance Jasper LaFleur less Lizzie male bonds male homosexuality male homosocial desire Marxist feminism masculinity meaning Misogyny molly houses mother murder Mutual Friend narrative opium oppression person Pinchwife pleasure plot poem political Princess radical feminism rape readers reading relation relationship represents Robert role scene seems sense Sentimental Journey sexual social society Sonnets Sotadic Zone Sparkish speaker structure symmetry Symonds texts thematic thou tion transaction Victorian violence Whitman woman women Wringhim Wycherley Yorick young