Handbook of Creativity

˹
Robert J. Sternberg
Cambridge University Press, 1999 - 490 ˹
3 Ԩó
The goal of this handbook is to provide the most comprehensive, definitive, and authoritative single-volume review available in the field of creativity. The book contains twenty-two chapters covering a wide range of issues and topics in the field of creativity, all written by distinguished leaders in the field. The volume is divided into six parts. The introduction sets out the major themes and reviews the history of thinking about creativity. Subsequent parts deal with methods, origins, self and environment, special topics and conclusions. All educated readers with an interest in creative thinking will find this volume to be accessible and engrossing.
 

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The Concept of Creativity Prospects and Paradigms
3
A History of Research on Creativity
16
Methods for Studying Creativity
33
Psychometric Approaches to the Study of Human Creativity
35
Experimental Studies of Creativity
62
The Case Study Method and Evolving Systems Approach for Understanding Unique Creative People at Work
93
Creativity from a Historiometric Perspective
116
Origins of Creativity
135
Creativity and Intelligence
251
The Influence of Personality on Artistic and Scientific Creativity
273
Motivation and Creativity
297
Implications of a Systems Perspective for the Study of Creativity
313
Special Topics in Creativity
337
Creativity Across Cultures
339
Computer Models of Creativity
351
Organizational Creativity
373

Biological Bases of Creativity
137
Evolving Creative Minds Stories and Mechanisms
153
The Development of Creativity
169
Creativity the Self and the Environment
187
Creative Cognition
189
From Case Studies to Robust Generalizations An Approach to the Study of Creativity
213
Creativity and Knowledge A Challenge to Theories
226
Enhancing Creativity
392
Prodigies and Creativity
431
Conclusion
447
Fifty Years of Creativity Research
449
Author Index
461
Subject Index
479
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