The Charterhouse of Parma

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Independently Published, 6 พ.ค. 2019 - 532 หน้า
The Charterhouse of Parma chronicles the exploits of Fabrizio del Dongo, an ardent young aristocrat who joins Napoleon's army just before the Battle of Waterloo. Yet perhaps the novel's most unforgettable characters are the hero's beautiful aunt, the alluring Duchess of Sanseverina, and her lover, Count Mosca, who plot to further Fabrizio's political career at the treacherous court of Parma in a sweeping story that illuminates an entire epoch of European history. 'Stendhal has written The Prince up to date, the novel that Machiavelli would write if he were living banished from Italy in the nineteenth century, ' noted Balzac in his famous review of The Charterhouse of Parma. 'Never before have the hearts of princes, ministers, courtiers, and women been depicted like this. . . . One sees perfection in every detail. . . . [It] has the magnitude of a canvas fifty feet by thirty, and at the same time the manner, the execution, is Dutch in its minuteness.... The Charterhouse of Parma often contains a whole book in a single page. . . . It is a masterpiece.

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เกี่ยวกับผู้แต่ง (2019)

One of the great French novelists of the nineteenth century, Stendhal (pseudonym for Marie-Henri Beyle) describes his unhappy youth with sensitivity and intelligence in his autobiographical novel The Life of Henri Brulard. It was written in 1835 and 1836 but published in 1890, long after his death. He detested his father, a lawyer from Grenoble, France, whose only passion in life was making money. Therefore, Stendhal left home as soon as he could. Stendhal served with Napoleon's army in the campaign in Russia in 1812, which helped inspire the famous war scenes in his novel The Red and the Black (1831). After Napoleon's fall, Stendhal lived for six years in Italy, a country he loved during his entire life. In 1821, he returned to Paris for a life of literature, politics, and love affairs. Stendhal's novels feature heroes who reject any form of authority that would restrain their sense of individual freedom. They are an interesting blend of romantic emotionalism and eighteenth-century realism. Stendhal's heroes are sensitive, emotional individuals who are in conflict with the society in which they live, yet they have the intelligence and detachment to analyze their society and its faults. Stendhal was a precursor of the realism of Flaubert. He once described the novelist's function as that of a person carrying a mirror down a highway so that the mirror would reflect life as it was, for all society.

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