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3. Add three parts below the following melodies, using Chords (or Inversions) of the Seventh on those notes marked with an asterisk :

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Additional for Honours.

1. Harmonize the following melody, making free use of passing notes and discords :

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to.

COUNTERPOINT.

FIRST YEAR (DIPLOMA).

Professor Marshall-Hall.

FOR PASS AND HONOUR CANDIDATES.

TWO-PART COUNTERPOINT.

1. Write a part of (a) two notes against one above, (b) four notes against one below, the following C.F. (transposing it where necessary) :

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3. Write free parts (a) above, (b) below, the following C.F.:

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4. Add free parts above and below the given C.F.:—

Additional for Honours.

1. Write an original piece of Counterpoint in three free parts.

HARMONY, COUNTERPOINT, CANON, AND FUGUE.

THIRD YEAR.

Professor Marshall-Hall.

1. Write an original piece of Counterpoint in six parts, of not less than twenty bars in length.

2. Write a short original Canon in (a) the octave, (b) the fifth, accompanied by two free parts.

3. Write a fully-developed Fugue in five parts on the following subject, or an original one of your

own:

-Etc.

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