Milton and the BaroqueUniversity of Pittsburgh Press, 1980 - 192 หน้า |
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ผลการค้นหา 1 - 3 จาก 37
หน้า 24
... celestial spheres , it would seem much more natural to view it as intrinsic to the new conception of the elliptical movements of the heavens . In isolation , this interpretation of Borromini's dome might appear a little strained , since ...
... celestial spheres , it would seem much more natural to view it as intrinsic to the new conception of the elliptical movements of the heavens . In isolation , this interpretation of Borromini's dome might appear a little strained , since ...
หน้า 89
... celestial to mortal comprehension . When , for example , the Bible relates in Genesis that God sent three angels to visit Abraham , it does not trouble to explain where precisely those angels were before their mission began , how long ...
... celestial to mortal comprehension . When , for example , the Bible relates in Genesis that God sent three angels to visit Abraham , it does not trouble to explain where precisely those angels were before their mission began , how long ...
หน้า 104
... celestial proportions are cautiously introduced , proportions more suited to the later wide - ranging universe of the baroque vision . Such hints appear in a manner designed to lessen their impact , and to leave a certain ambiguity in ...
... celestial proportions are cautiously introduced , proportions more suited to the later wide - ranging universe of the baroque vision . Such hints appear in a manner designed to lessen their impact , and to leave a certain ambiguity in ...
เนื้อหา
The Arch Antagonist | 50 |
Corporal Forms | 80 |
The War in Heaven | 116 |
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achieved Adam angels appear argued artist attempt baroque battle become beginning belief biblical bright building ceiling celestial central century challenge Christian church classical close concept concern contrast cosmic cosmos course created creation creatures criticism darkness depiction described direction divine earlier early earth effect elements entire epic established evidence example fact fall figure final forces frescoes God's hand heaven heavenly hell human imaginatively immense impressive infinite Italy later least less light lines London major man's means Milton move nature never offers once opening original painting Paradise Lost passage period physical poem poet present Providence reader reading reason rebel religious remains Renaissance response Satan scene seen sense setting solid space spirits stars strength struggle style suggest task theme theory thir thought tradition universe vast vision visual