Papers, Êèǹ·Õè 1-4 |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 5 ¨Ò¡ 68
˹éÒ 4
... believe ) as In or before 1851 , a forger clever enough to take in two pub- lishers , wrote some Letters of Shelley and Byron . Moxon bought the forgd Shelley Letters , and John Murray the Byron ones . Before they were provd spurious ...
... believe ) as In or before 1851 , a forger clever enough to take in two pub- lishers , wrote some Letters of Shelley and Byron . Moxon bought the forgd Shelley Letters , and John Murray the Byron ones . Before they were provd spurious ...
˹éÒ 16
... believe the first to be a fragment of an antique sarcophagus , -the second , Ugolino's Tower of Famine ( the vestiges of which should be sought for in the Piazza de ' Cavalieri ) —and the third ( as I convinced myself last summer at ...
... believe the first to be a fragment of an antique sarcophagus , -the second , Ugolino's Tower of Famine ( the vestiges of which should be sought for in the Piazza de ' Cavalieri ) —and the third ( as I convinced myself last summer at ...
˹éÒ 17
... believe , for my own part , that if anything could now shame or grieve Shelley , it would be an attempt to vindicate him at the expense of another . In forming a judgment , I would , however , press on the reader the simple justice of ...
... believe , for my own part , that if anything could now shame or grieve Shelley , it would be an attempt to vindicate him at the expense of another . In forming a judgment , I would , however , press on the reader the simple justice of ...
˹éÒ 18
... believe , to be accepted of God , as human work may ; and around the imperfect proportions of such , the most elaborated productions of ordinary art must arrange themselves as inferior illustrations . " INTRODUCTORY ESSAY . " It is ...
... believe , to be accepted of God , as human work may ; and around the imperfect proportions of such , the most elaborated productions of ordinary art must arrange themselves as inferior illustrations . " INTRODUCTORY ESSAY . " It is ...
˹éÒ 66
... believe that Browning means to restore the true ' names in his next edition of the poem . " The tale is that of a modern Ultramontane Catholic , driven into sheer madness by the conflicting emotions of illicit love which he cannot ...
... believe that Browning means to restore the true ' names in his next edition of the poem . " The tale is that of a modern Ultramontane Catholic , driven into sheer madness by the conflicting emotions of illicit love which he cannot ...
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
4-measure abab Abt Vogler admiration amphibrachs anapæsts Andrea del Sarto Aristophanes artist Athenæum beauty believe Bells & Pom Bishop Blougram Book Browning Society Browning's poems character Childe Roland Christian couplets criticism death Divine Dramatic Idyls Duchess earth Elizabeth Barrett Browning Elvire English Euripides evil expression F. J. FURNIVALL faith feeling Fifine Florence genius give heart hope human iambic iambs ideal intellect Johannes Agricola Karshish King lines living London look Luria Lyrics man's master means mind Miss nature never Pacchiarotto paper Paracelsus passion personality picture Pippa Passes play poet poet's poetic Rabbi Ben Ezra reader reprinted Review Ring Robert Browning Saul seems sense Shakspere Shelley Society's Song Sordello soul soul's speak spirit stanzas story Strafford things thought Toccata of Galuppi's Tragedy true truth verse whole wife woman Women words writings
º·¤ÇÒÁ·Õèà»ç¹·Õè¹ÔÂÁ
˹éÒ 470 - All we have willed or hoped or dreamed of good, shall exist: Not its semblance, but itself; no beauty, nor good, nor power, Whose voice has gone forth, but each survives for the melodist When eternity affirms the conception of an hour.
˹éÒ 296 - How good is man's life, the mere living! how fit to employ All the heart and the soul and the senses for ever in joy!
˹éÒ 467 - Our echoes roll from soul to soul, And grow for ever and for ever. Blow, bugle, blow, set the wild echoes flying, And answer, echoes, answer, dying, dying, dying.
˹éÒ 405 - There shall never be one lost good! What was, shall live as before; The evil is null, is nought, is silence implying sound; What was good shall be good, with, for evil, so much good more; On the earth the broken arcs; in the heaven, a perfect round.
˹éÒ 246 - I STROVE with none, for none was worth my strife; Nature I loved, and next to Nature, Art; I warmed both hands before the fire of life; It sinks, and I am ready to depart.
˹éÒ 291 - Truth is within ourselves ; it takes no rise From outward things, whate'er you may believe. There is an inmost centre in us all, Where truth abides in fulness ; and around, Wall upon wall, the gross flesh hems it in, This perfect, clear perception — which is truth.
˹éÒ 279 - And slight withal may be the things which bring Back on the heart the weight which it would fling Aside for ever : it may be a sound — A tone of music — summer's eve — or spring — A flower — the wind — the ocean — which shall wound, Striking the electric chain wherewith we are darkly bound ; XXIV.
˹éÒ 133 - If I stoop Into a dark tremendous sea of cloud, It is but for a time ; I press God's lamp Close to my breast — its splendour, soon or late, Will pierce the gloom : I shall emerge one day ! You understand me ? I have said enough ? Fest.
˹éÒ 404 - No, indeed! for God above Is great to grant, as mighty to make, And creates the love to reward the love: I claim you still, for my own love's sake!
˹éÒ 402 - Thoughts hardly to be packed Into a narrow act, Fancies that broke through language and escaped; All I could never be, All, men ignored in me, This, I was worth to God, whose wheel the pitcher shaped.