Musicology: The Key ConceptsRoutledge, 22 ม.ค. 2016 - 376 หน้า Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including:
With all entries updated, and suggestions for further reading throughout, this text is an essential resource for all students of music, musicology, and wider performance related humanities disciplines. |
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19th-Century Music absolute music Adorno aesthetics Ashgate authenticity autonomy avant-garde Barthes Beethoven Berkeley and London biography Bujić California Press Cambridge University Press canon Chicago Clarke Classical composer’s composers concept consciousness construction context cover version creativity critical musicology critical theory cultural studies Dahlhaus deconstruction defined discourse ecomusicology emotion Enlightenment Essays ethnicity ethnomusicology example film music Further reading gender genre German globalization Hanslick hermeneutics historical musicology hybridity ibid idea identity ideology interpretation jazz Journal Kramer language Lawrence Kramer listening Marxism McClary meaning metaphor modernism Music Analysis Music Theory musicians narrative nationalism nineteenth century opera organicism Orientalism Oxford University Press performance perspective philosopher political popular music post-structuralism postmodernism reception reflected relation relationship Renaissance Renaissance music Romanticism Routledge Royal Musical Association Schoenberg semiotics social sound specific structuralism style subject position Symphony Taruskin Theodor Adorno theorist tonal tradition trans twentieth century University of California Wagner York