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Moreover pennies and garments rich:
Here endeth this Book the which
Doth sing our noble Heroes' story:

God help us all to heavenly glory.

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Such is some outline of the famous Heldenbuch; on which it is not our business here to add any criticism. The fact that it has so long been popular betokens a certain worth in it; the kind and degree of which is also in some measure apparent. In poetry the rude man,' it has been said, ' requires only to see something going on; the man of more ' refinement wishes to feel; the truly refined man must be 'made to reflect.' For the first of these classes our Herobook, as has been apparent enough, provides in abundance; for the other two scantily, indeed for the second not at all. Nevertheless our estimate of this work, which as a series of Antique Traditions may have considerable meaning, is apt rather to be too low. Let us remember that this is not the original Heldenbuch which we now see; but only a version of it into the Knight-errant dialect of the thirteenth, indeed partly of the fourteenth and fifteenth centuries, with all the fantastic monstrosities, now so trivial, pertaining to that style; under which disguises the really antique earnest groundwork, interesting as old Thought, if not as old Poetry, is all but quite obscured from us. But Antiquarian diligence is now busy with the Heldenbuch also, from which what light is in it will doubtless be elicited, and here and there a deformity removed. Though the Ethiop cannot change his skin, there is no need that even he should go abroad unwashed.1

Casper von Roen, or whoever was the ultimate redactor 1 Our inconsiderable knowledge of the Heldenbuch is derived from various secondary sources; chiefly from Lessing's Werke (b. xiii.), where the reader will find an epitome of the whole Poem, with Extracts by Herr Fülleborn, from which the above are taken. A still more accessible and larger Abstract, with long specimens translated into verse, stands in the Illustrations of Northern Antiquities (pp. 45-167). Von der Hagen has since been employed specially on the Heldenbuch; with what result we have not yet learned.

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of the Heldenbuch, whom Lessing designates as a highly ill-informed man,' would have done better had he quite omitted that little King Laurin, and his little Rose-garden,' which properly is no Rose-garden at all; and instead thereof introduced the Gehörnte Siegfried (Behorned Siegfried), whose history lies at the heart of the whole Northern Traditions; and, under a rude prose dress, is to this day a real child's-book and people's-book among the Germans. Of this Siegfried we have already seen somewhat in the Rosegarden at Worms; and shall erelong see much more elsewhere; for he is the chief hero of the Nibelungen: indeed nowhere can we dip into those old Fictions, whether in Scandinavia or the Rhine-land, but under one figure or another, whether as Dragon-killer and Prince-royal, or as Blacksmith and Horse-subduer, as Sigurd, Sivrit, Siegfried, we are sure to light on him. As his early adventures belong to the strange sort, and will afterwards concern us not a little, we shall here endeavour to piece together some consistent outline of them; so far indeed as that may be possible; for his biographers, agreeing in the main points, differ widely in the details.

First, then, let no one from the title Gehörnte (Horned, Behorned), fancy that our brave Siegfried, who was the loveliest as well as the bravest of men, was actually cornuted, and had horns on his brow, though like Michael Angelo's Moses; or even that his skin, to which the epithet Behorned refers, was hard like a crocodile's, and not softer than the softest shamoy: for the truth is, his Hornedness means only an Invulnerability, like that of Achilles, which he came by in the following manner. All men agree that Siegfried was a king's son; he was born, as we here have good reason to know, 'at Santen in Netherland,' of Siegemund and the fair Siegelinde; yet by some family misfortune or discord, of which the accounts are very various, he came into singular straits during boyhood; having passed that happy period of life, not under the canopies of costly

state, but by the sooty stithy, in one Mimer a Blacksmith's shop. Here, however, he was nowise in his proper element; ever quarrelling with his fellow-apprentices; nay, as some say, breaking the hardest anvils into shivers by his too stout hammering. So that Mimer, otherwise a first-rate Smith, could by no means do with him there. He sends him, accordingly, to the neighbouring forest, to fetch charcoal; well aware that a monstrous Dragon, one Regin, the Smith's own Brother, would meet him and devour him. But far otherwise it proved; Siegfried by main force slew this Dragon, or rather Dragonised Smith's-Brother; made broth of him; and, warned by some significant phenomena, bathed therein; or, as others assert, bathed directly in the monster's blood, without cookery; and hereby attained that Invulnerability, complete in all respects, save that between his shoulders, where a lime-tree leaf chanced to settle and stick during the process, there was one little spot, a fatal spot as afterwards turned out, left in its natural state.

Siegfried, now seeing through the craft of the Smith, returned home and slew him; then set forth in search of adventures, the bare catalogue of which were long to recite. We mention only two, as subsequently of moment both for him and for us. He is by some said to have courted, and then jilted, the fair and proud Queen Brunhild of Isenland; nay to have thrown down the seven gates of her Castle; and then ridden off with her wild-horse Gana, having mounted him in the meadow, and instantly broken him. Some cross passages between him and Queen Brunhild, who understood no jesting, there must clearly have been, so angry is her recognition of him in the Nibelungen; nay, she bears a lasting grudge against him there; as he, and indeed she also, one day too sorely felt.

His other grand adventure is with the two sons of the deceased King Nibelung, in Nibelungen-land: these two youths, to whom their father had bequeathed a Hoard or Treasure beyond all price or computation, Siegfried, riding

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by alone,' found on the side of a mountain, in a state of great perplexity. They had brought out the Treasure from the cave where it usually lay; but how to part it was the difficulty; for, not to speak of gold, there were as many jewels alone 'as twelve wagons in four days and nights, each going 'three journeys, could carry away;' nay, 'however much 'you took from it there was no diminution:' besides in real property, a Sword, Balmung, of great potency; a Diviningrod, which gave power over every one;' and a Tarnkappe (or Cloak of Darkness), which not only rendered the wearer invisible, but also gave him twelve men's strength. So that the two Princes Royal, without counsel save from their Twelve stupid Giants, knew not how to fall upon any amicable arrangement; and, seeing Siegfried ride by so opportunely, requested him to be arbiter; offering also the Sword Balmung for his trouble. Siegfried, who readily undertook the impossible problem, did his best to accomplish it; but, of course, without effect; nay the two Nibelungen Princes, being of choleric temper, grew impatient, and provoked him; whereupon, with the Sword Balmung he slew them both, and their Twelve Giants (perhaps originally Signs of the Zodiac) to boot. Thus did the famous Nibelungen Hort (Hoard), and indeed the whole Nibelungenland, come into his possession: wearing the Sword Balmung, and having slain the two Princes and their Champions, what was there farther to oppose him? Vainly did the Dwarf Alberich, our old friend Elberich of the Heldenbuch, who had now become special keeper of this Hoard, attempt some resistance with a Dwarf Army; he was driven back into the cave; plundered of his Tarnkappe; and obliged with all his myrmidons to swear fealty to the conqueror, whom indeed thenceforth he and they punctually obeyed.

Whereby Siegfried might now farther style himself King of the Nibelungen; master of the infinite Nibelungen Hoard (collected doubtless by art-magic in the beginning of Time, in the deep bowels of the Universe), with the Wünschelruthe

(Wishing or Divining Rod) pertaining thereto; owner of the Tarnkappe, which he ever after kept by him, to put on at will; and though last not least, Bearer and Wielder of the Sword Balmung, by the keen edge of which all this gain had come to him. To which last acquisitions adding his previously acquired Invulnerability, and his natural dignities as Prince of Netherland, he might well show himself before the foremost at Worms or elsewhere; and attempt any the highest adventure that fortune could cut out for him. However, his subsequent history belongs all to the Nibelungen Song; at which fair garden of poesy we are now, through all these shaggy wildernesses and enchanted woods, finally arrived.

1 By this Sword Balmung also hangs a tale. Doubtless it was one of those invaluable weapons sometimes fabricated by the old Northern Smiths, compared with which our modern Foxes, and Ferraras, and Toledos, are mere leaden tools. Von der Hagen seems to think it simply the Sword Mimung under another name; in which case Siegfried's old master, Mimer, had been the maker of it, and called it after himself, as if it had been his son. In Scandinavian chronicles, veridical or not, we have the following account of that transaction. Mimer (or, as some have it, surely without ground, one Velint, once an apprentice of his) was challenged by another Craftsman, named Amilias, who boasted that he had made a suit of armour which no stroke could dint, to equal that feat, or own himself the second Smith then extant. This last the stout Mimer would in no case do, but proceeded to forge the Sword Mimung; with which, when it was finished, he, in presence of the King,' cut asunder a thread of wool floating on water.' This would have seemed a fair fire-edge to most smiths: not so to Mimer; he sawed the blade in pieces, welded it in a red-hot fire for three days,' tempered it with milk and oatmeal,' and by much other cunning, brought out a sword that severed a ball of wool floating on water.' But neither would this suffice him; he returned to his smithy, and by means known only to himself, produced, in the course of seven weeks, a third and final edition of Mimung, which split asunder a whole floating pack of wool. The comparative trial now took place forthwith. Amilias, cased in his impenetrable coat of mail, sat down on a bench, in presence of assembled thousands, and bade Mimer strike him. Mimer fetched of course his best blow, on which Amilias observed, that there was a strange feeling of cold iron in his inwards. "Shake thyself," said Mimer; the luckless wight did so, and fell in two halves, being cleft sheer through from collar to haunch, never more to swing hammer in this world. - See Illustrations of Northern Antiquities, p. 31.

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