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Three times , she signifies her wish to " go to the garden with her man " and uses vegetal imagery to describe her desire ( 11 . 1-19 , 44-58 and 52-54 ) . Only garden metaphors appear in the first part of the “ Manchester Tammuz ...
Three times , she signifies her wish to " go to the garden with her man " and uses vegetal imagery to describe her desire ( 11 . 1-19 , 44-58 and 52-54 ) . Only garden metaphors appear in the first part of the “ Manchester Tammuz ...
˹éÒ 200
ual desire that is not transformed implodes inward . On a textual level , the systematic connections linking behaviors in the protases and meanings in the apodoses can reveal the underlying cultural tensions that generated the texts .
ual desire that is not transformed implodes inward . On a textual level , the systematic connections linking behaviors in the protases and meanings in the apodoses can reveal the underlying cultural tensions that generated the texts .
˹éÒ 201
If omens are ambiguous phenomena , these behaviors are ambiguities of desire . In this scheme ambiguities of desire are also ambiguities of identity . Nevertheless , the ego who observes the behavior in the omen is not necessarily ...
If omens are ambiguous phenomena , these behaviors are ambiguities of desire . In this scheme ambiguities of desire are also ambiguities of identity . Nevertheless , the ego who observes the behavior in the omen is not necessarily ...
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PART I | 1 |
H TADMOR The Role of the Chief Eunuch and the Place of Eunuchs | 23 |
J ASSANTE Sex Magic and the Liminal Body in the Erotic Art and Texts | 27 |
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Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
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According Akkadian Ancient Aphrodite appears Assyrian behavior Biggs Šaziga body called castration century context course cult cultural Cyprus daughter described desire divine Emar erotic evidence example expression female femme figure figurines garden gender girl give goddess gods Greek hand human images Inanna incantation interpretation king known lapis lazuli later literature London magic male marriage married meaning mentioned Mesopotamian myth nature occurs Old Babylonian omen oriental origin passage perhaps period Persian person plaques possible present probably provides question refer ritual role sacred scenes seal seems sexual similar social sources specific stand Studies suggests Sumerian symbolic tablet tavern temple term tion tradition translation tree virginity wife woman women