Compte Rendu, Rencontre Assyriologique Internationale 47Simo Parpola, Robert M. Whiting Neo-Assyrian Text Corpus Project, 2002 |
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... gods that he went beyond his human nature and dared ravish a goddess . - in But how can we explain Enki's beha- viour ? He himself is a god : why does he have to pretend to be mortal ? 17 He does not have to pretend to be a gardener to ...
... gods that he went beyond his human nature and dared ravish a goddess . - in But how can we explain Enki's beha- viour ? He himself is a god : why does he have to pretend to be mortal ? 17 He does not have to pretend to be a gardener to ...
˹éÒ 117
... gods of watery chaos first come into being , then the great gods . Next to be created are the composite crea- tures and monsters , such as the scorpion- man and the fish - man , none of which are to be seen on the earth today . Tiamat ...
... gods of watery chaos first come into being , then the great gods . Next to be created are the composite crea- tures and monsters , such as the scorpion- man and the fish - man , none of which are to be seen on the earth today . Tiamat ...
˹éÒ 120
... gods could procreate without copulation . Especially in Hittite and Hurrian myths , but also in Sumerian ones , a single god or goddess is capable of producing offspring on its own . In later times it must have been hard for people to ...
... gods could procreate without copulation . Especially in Hittite and Hurrian myths , but also in Sumerian ones , a single god or goddess is capable of producing offspring on its own . In later times it must have been hard for people to ...
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PART I | 1 |
H TADMOR The Role of the Chief Eunuch and the Place of Eunuchs | 23 |
J ASSANTE Sex Magic and the Liminal Body in the Erotic Art and Texts | 27 |
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Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
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According Akkadian Ancient Aphrodite appears Assyrian beginning behavior Biggs Šaziga body called century context course cult cultural Cyprus daughter described desire divine Emar erotic evidence example expression female femme figure figurines garden gender girl give goddess gods Greek hand human images Inanna incantation interpretation king known lapis lazuli later literature London magic male marriage married meaning mentioned Mesopotamian myth nature Old Babylonian omen oriental origin passage perhaps period Persian person plaques possible present probably provides question refer ritual role sacred scenes seal seems sexual similar social sources specific stand Studies suggests Sumerian symbolic tablet tavern temple term tion tradition translation tree University virginity wife woman women