Compte Rendu, Rencontre Assyriologique Internationale 47Simo Parpola, Robert M. Whiting Neo-Assyrian Text Corpus Project, 2002 |
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... passage of Bilgames and the Bull of Heaven in which Inanna weeps . The episode in question is near the begin- ning of the poem . On the basis of fewer manuscripts earlier editors and translators recognized that the passage involved Inan ...
... passage of Bilgames and the Bull of Heaven in which Inanna weeps . The episode in question is near the begin- ning of the poem . On the basis of fewer manuscripts earlier editors and translators recognized that the passage involved Inan ...
˹éÒ 148
... passage as it appears on the better - preserved manu- scripts is the repeated line ( 11. 1 , 4 and 8 ) . In the context of the passages quoted ear- lier , the obvious interpretation of a lù.lù is that this phrase refers to weeping . The ...
... passage as it appears on the better - preserved manu- scripts is the repeated line ( 11. 1 , 4 and 8 ) . In the context of the passages quoted ear- lier , the obvious interpretation of a lù.lù is that this phrase refers to weeping . The ...
˹éÒ 312
... passages where these terms are encountered . Of special im- portance for medical and divinatory texts , this ... passage BE 6/2 137 : 6 where šapru and emšu both denote wooden parts of agricultural mechanisms ( šapru ša erekķim 2 ...
... passages where these terms are encountered . Of special im- portance for medical and divinatory texts , this ... passage BE 6/2 137 : 6 where šapru and emšu both denote wooden parts of agricultural mechanisms ( šapru ša erekķim 2 ...
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PART I | 1 |
H TADMOR The Role of the Chief Eunuch and the Place of Eunuchs | 23 |
J ASSANTE Sex Magic and the Liminal Body in the Erotic Art and Texts | 27 |
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Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
Compte Rendu, Rencontre Assyriologique Internationale 47 Simo Parpola,Robert M. Whiting ÁØÁÁͧÍÂèÒ§ÂèÍ - 2002 |
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According Akkadian Ancient Aphrodite appears Assyrian beginning behavior Biggs Šaziga body called century context course cult cultural Cyprus daughter described desire divine Emar erotic evidence example expression female femme figure figurines garden gender girl give goddess gods Greek hand human images Inanna incantation interpretation king known lapis lazuli later literature London magic male marriage married meaning mentioned Mesopotamian myth nature Old Babylonian omen oriental origin passage perhaps period Persian person plaques possible present probably provides question refer ritual role sacred scenes seal seems sexual similar social sources specific stand Studies suggests Sumerian symbolic tablet tavern temple term tion tradition translation tree University virginity wife woman women