Invisibility Blues: From Pop to TheoryVerso Books, 8 พ.ย. 2016 - 288 หน้า First published in 1990, Michele Wallace’s Invisibility Blues is widely regarded as a landmark in the history of black feminism. Wallace’s considerations of the black experience in America include recollections of her early life in Harlem; a look at the continued underrepresentation of black voices in politics, media, and culture; and the legacy of such figures as Zora Neale Hurston, Toni Cade Bambara, Toni Morrison,and Alice Walker. Wallace addresses the tensions between race, gender, and society, bringing them into the open with a singular mix of literary virtuosity and scholarly rigor. Invisibility Blues challenges and informs with the plain-spoken truth that has made it an acknowledged classic. |
เนื้อหา
Baby Faith | |
For the Womens House | |
A Womens Prison and The Movement | |
to be Continued | |
Entertainment Tomorrow | |
Mississippi Burning and Bird | |
CultureHistory | |
For Colored Girls the Rainbow is Not Enough | |
Slaves of History | |
Ishmael Reeds Female Troubles | |
Profile | |
Twenty Years Later | |
Homelessness is Where the Heart | |
PART II | |
Blues for Mr Spielberg | |
Michael Jackson Black Modernisms and The Ecstasy | |
Invisibility Blues | |
Communication | |
Spike Lee and Black Women | |
Doing the Right Thing | |
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African AfroAmerican AfroAmerican culture AfroAmerican literary AfroAmerican literature Alice Walker American Amerika Baby Faith Barbara black community black female black feminist black feminist creativity Black Macho black male black women writers blues called Cherokee Civil Rights Movement Color Purple dance discourse dogooder essay Faith Ringgold feminism film film’s Harlem homeless images intellectual invisible Ishmael Reed Jackson King’s lesbian lives Mammy Mankiller Michael Jackson MICHELE middleclass Momma Jones mother movie myth never novel Ntozake Shange Oklahoma painting patriarchal Pecola perhaps play political postmodernism prison problem race racial racism Reed Reed’s role Rollins Rufel seems segregation sexism sexual Shange sister slave slavery South Spike Lee streets superwoman talking television theatre there’s thing Tim Rollins Toni Cade Bambara Toni Morrison tradition white male white women woman women inmates Women’s House writing York Zora Neale Hurston