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" No longer mere fantasy (opium for the masses whose real work is elsewhere), no longer simple escape (from a world defined principally by more concrete purposes and structures), no longer elite pastime (thus not relevant to the lives of ordinary people),... "
Fantasy Production: Sexual Economies and Other Philippine Consequences for ... - ˹éÒ 4
â´Â Neferti Xina M. Tadiar - 2004 - 368 ˹éÒ
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Colonial Discourse and Post-colonial Theory: A Reader

Patrick Williams, Laura Chrisman - 1994 - 586 ˹éÒ
...fantasy (opium for the masses whose real work is elsewhere), no longer simple escape (from a world denned principally by more concrete purposes and structures),...organized field of social practices, a form of work (both in the sense of labor and of culturally organized practice) and a form of negotiation between...
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Consumer Culture

Celia Lury - 1996 - 290 ˹éÒ
...defined principally by more concrete purposes and structures), no longer elite pastime (thus not relevant for new forms of desire and subjectivity), the imagination...organized field of social practices, a form of work (both in the form of labour and of culturally organized practice) and a form of negotiation between...
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Modernity At Large: Cultural Dimensions of Globalization

Arjun Appadurai - 1996 - 252 ˹éÒ
...ordinary peoplei, and no longer mere contemplation 1irrelevant for new forms of desire and subjectivityi, the imagination has become an organized field of social practices, a form of work 1in the sense of both labor and culturally organized practicej, and a form of negotiation between sites...
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The Politics of Spanish American 'Modernismo': By Exquisite Design

Gerard Aching - 1997 - 198 ˹éÒ
...Appadurai uses the phrase "the imagination as a social practice" to describe the current situation in which "the imagination has become an organized field of social practices, a form of work (both in the sense of labor and of culturally organized practice) and a form of negotiation between...
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Cultural Memory and the Construction of Identity

Dan Ben-Amos, Liliane Weissberg - 1999 - 340 ˹éÒ
...us to something critical and new in global cultural processes: the imagination as a social practice. No longer mere fantasy (opium for the masses whose...organized field of social practices, a form of work . . . and a form of negotiation between sites of agency ("individuals") and globally defined fields...
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The Native Leisure Class: Consumption and Cultural Creativity in the Andes

Rudolf Josef Colloredo-Mansfeld - 1999 - 296 ˹éÒ
...in the global cultural processes: the imagination as a social practice. No longer mere fantasy . . . the imagination has become an organized field of social practices, a form of work and a form of negotiation between sites of agency." He could have gone further. Imagination gains its...
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Gender, Ethnicity and Place: Women and Identities in Guyana, ©ºÑº·Õè 6

Linda Peake, D. Alissa Trotz - 1999 - 244 ˹éÒ
...of the rarefied field of art) into the practices of ordinary people's lives, where it is both '. . . a form of work (in the sense of both labor and culturally organised practice), and a form of negotiation, between sites of agency (individuals) and globally...
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The Globalisation of Charismatic Christianity

Simon Coleman - 2000 - 264 ˹éÒ
...suggests as much in his account of the imagination as an organised field of social practices as well as a form of negotiation between sites of agency (individuals) and globally defined fields of possibility. He invokes a modified version of Bourdieu's (1977) influential concept of habitus, with the latter...
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The Politics of Cultural Practice: Thinking Through Theatre in an Age of ...

Rustom Bharucha - 2000 - 212 ˹éÒ
...Appadurai has put it eloquently, though somewhat too confidently, 'the imagination has become an original field of social practices, a form of work (in the sense of both labour and culturally organized practice), and a form of negotiation between sites of agency (individuals)...
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Buying and Believing: Sri Lankan Advertising and Consumers in a ...

Steven Kemper - 2001 - 284 ˹éÒ
...implications, Arjun Appadurai argues, for the very way the imagination operates in the modern world: No longer mere fantasy (opium for the masses whose...organized field of social practices, a form of work (both in the sense of labor and of cultural organized practice) and a form of negotiation between sites...
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