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p. 45. Cruet 2 The sp wrazy Mr. T Powell, in his 'Living Authors of England was meant fie a young man who fell in love with Queen Victoria. The queen intended was instina of Spain: the young was or went mad-There is an account of Mr. Alfred Doment in Mr. Powell's book, and in the Biograph,' 1881. p. 45. The Big in the "Stutzkera was pur? at Sa Ders Wells in 1848.-T. Powell's "Living Authors of England" New York, 1848, p. 74 cr Pictures of Living Authors of Britain." Lakin, 1961, p. 64. In the American edition are several letters of Mia Browning a p. 146-182" One before her marriage says, “Mr. Browning, with whom I have Lid some corespondence lately, is full of great intentions; the light of the future is on his forehead... I have a full faith in him as poet and prophet p. 147. The Bixt was written in 5 days.

p. 66, note 3. The note in no way expresses the full scope of the poem.

p. 76. This Moxon Selections" came out in six-penny numbers, of 24 pages each. p. 93. The vernacular is Father Proat's fan. Browning's version is in Dramatic Lyrics, Second Series, page 68:

"Studiando le mie cifre col compasso,

Revo che sarò presto sotterra,
Perche del mio saper si fa gran chiasso,

E gi' ignoranti in hanno mosso guerra."

"Said to have been found in a well at Abano in the last century. They were extemporaneously Englished thus: not as Father Prout chose to prefer them :

"Studying my ciphers with the compass,

I reckon I soon shall be below-ground;

Because, of my lore folks make great rumpus,

And war on myself makes each dull rogue round.”

1880. Dramatic Lyrics. Second Series, p. 67, 68, notes.

p. 101. Monodrama' was uzed by Charles Lamb in 1823, Elia, Ser. II, No. 5, p. 268 (ed. 1865); by Carlyle in 1831, Sartor, p. 75, ed. 1858; and in the Eclectic Review, 1849, p. 211: "The poet's [R. B.'s] genius is essentially dramatic, but not in the sense which the word vulgarly bears. Mr. Browning's is mostly the drama of character, not of incident, or scenic effect. Under this aspect, the entire sum of his poetry may be said to be dramatic, though much of it, like so much of Tennyson's, [is] simple monodrama; in which class must be included not only the lyrics, but the entire poem of Paracelsus.”

Miss

1853 or -4. When Mr. Moncure D. Conway was a student at Harvard, there was a very successful performance of Colombe's Birthday at the Harvard Athenæum in Boston, Mass., U.S.A. Miss Davenport chose the play for her benefit, and Mr. Conway and other students got all their friends to take tickets. Among others, Longfellow and his wifee-a great Browningite-were induced to come. Davenport acted admirably; so did the performer of Valence; and in the acting, no difficulty whatever was felt in following the poet's meaning. Mr. Conway says he was an early reviewer of Browning in America, probably in the 'New York Tribune' or 'Evening Post.' He reviewd the Dramatis Persona in the extinct 'Morning Star' newspaper here in 1864, and soon after wrote a long article in the 'Victoria Magazine' (see above) on all Browning's Works up to 1864. He will preach on Sordello at South Place Chapel, E.C., on Dec. 4, 1881.

Here is the pretty poem on Mrs. Browning's death, by Mr. James Thomson of our Society's Committee, mentiond on p. 57, note 2, above:

E. B. B.

1861.

I.

The white-rose garland at her feet,

The crown of laurel at her head,
Her noble life on earth complete,
Lay her in the last low bed
For the slumber calm and deep.
“He giveth His belovèd sleep.”

II.

Soldiers find their fittest grave
In the field wheron they died;
So her spirit pure and brave
Leaves the clay it glorified

To the land for which she fought
With such grand impassioned thought.

III.

Keats and Shelley sleep at Rome,
She in well-loved Tuscan earth;
Finding all their death's long home

Far from their old home of birth:
Italy, you hold in trust

Very sacred English dust.

IV.

Wherefore this one prayer I breathe,―

That you yet may worthy prove

Of the heirlooms they bequeath

Who have loved you with such love:

Fairest land, while land of slaves,1

Yields their free souls no fit graves.

The City of Dreadful Night and Other Poems, by James Thomson ("B. V.").

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1. Rome was then still Papal. The folk were also slaves to Papal superstition, &c.

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To do honour to CHAUCER, and to let the lovers and students of him see how far the best unprinted Manuscripts of his works differd from the printed texts, this Society was founded in 1868. The founder (Mr. Furnivall) began with The Canterbury Tales, and has given of them (in parallel columns in Royal 4to) six of the best theretofore unprinted Manuscripts known. Inasmuch as the parallel arrangement necessitated the alteration of the places of certain tales in some of the MSS., a print of each MS. has been issued separately, following the order of its original. The first six MSS. printed have been: the Ellesmere (by leave of the Earl of Ellesmere); the Hengwrt (by leave of W. W. E. Wynne, Esq.); the Camb. Univ. Libr., MS. Gg. 4. 27; the Corpus, Oxford; the Petworth (by leave of Lord Leconfield); and the Lansdowne 851 (Brit. Mus.). The Harleian 3374 will follow.

Of Chaucer's Minor Poems,-the MSS. of which are generally later than the best MSS. of the Canterbury Tales,-all the available MSS. have been printed, so as to secure all the existing evidence for the true text.

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Mr. F. J. Furnivall has read and will read all the texts with their MSS. Autotypes of all the best Chaucer MSS. either have been or will be publisht.

The Society's publications are issued in two Series, of which the first contains the texts of Chaucer's works; and the Second, such originals of and essays on these as can be procured, with other illustrative treatises, and Supplementary Tales.

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Prof. E. Arber's excellent English Reprints, &c., are now publisht by him Mason College, Birmingham. He will send a Catalogue to any applicant.

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1868. J. T. Nettleship, Essays on Browning, p. 11.

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F. J. FURNIVALL, M. A., Cam. (Chairm.). The Rev. J. SHARPE, M.A., Cambridge. EDWARD GONNER.

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The Society's Meetings and Papers, Session II., 1882-3, are, at 8 p.m., on Friday,
Oct. 27, 1882. "On Conscience and Art in Browning," by the Rev. Prof. E.
JOHNSON, M.A.
[Printed in Papers, Pt III.

Nov. 24, 1882. (1) "What is The Flight of the Duchess," by Mrs. OWEN.
(2) On the Songs in Pippa Passes, by the Rev. J. SHARPE, M. A.
Jan. 26, 1883. "On Browning's Delineation of Female Character, by W. G.
MARTLEY, Balliol College, Oxford.

Feb. 23, 1883.

March 23, 1883.

April 27, 1883.

May 25, 1883.

June 22, 1883.

1283.

"On Browning's Intuition, specially in regard of Music and the Plastic Arts, by J. T. NETTLESHIP, Esq.

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'Browning's Poems on God and Immortality, as bearing upon Life here," by W. F. REVELL, Esq.

"On Browning's Villains," by a Non-Member.

"On James Lee's Wife," by the Rev. H. J. BULKELEY, M.A.
"Browning considered in relation to his Time," by Cyril L.
JOHNSON, Jesus College, Cambridge.

Browning Readings, Recitations, and Music.
Annual Meeting.

are preparing by Miss ARTHUR, HUME C. PINSENT, M.A.,
Dr. CLEVELAND, &c.

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