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SONGS FOR THE PEOPLE.

COMPRISING

NATIONAL, PATRIOTIC,

Naval, Sentimental, and Humorous Songs.

ILLUSTRATED WITH NEARLY TWO HUNDRED ENGRAVINGS,

Historical Sketches of Authors, Composers, &c.

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This volume contains the following, together with numerous other popular Songs and choice illustrations:

HAIL COLUMBIA.-With a sketch of the origin of the words, its early popularity' and a portrait of the author.

THE STAR-SPANGLED BANNER.-With an account of the circumstances under which it was composed, and an engraving of the Bombardment of Fort McHenry, to which it alludes.

THE MEN OF CHURUBUSCO.-With a portrait of General Scott and General Worth.

THE BATTLE OF THE KEGS.-A Song of the Revolution, with a sketch of the events that called it forth, and a portrait of the author.

PERRY'S VICTORY.-With an illustration of the Battle of Lake Erie, and a portrait of its Hero,

BUENA VISTA.-With portrait of General Taylor.

MAD ANTHONY WAYNE.-A spirited Song of the Revolution, with an engraving representing Wayne's celebrated charge of Green Hill.

"SONGS FOR THE PEOPLE."-Contains nearly 300 large octavo pages. Price $1.00; in cloth, $1.50. On receipt of which it will be sent by mail, post-paid. Published by OLIVER DITSON & CO., 277 WASHINGTON ST., BOSTON.

RICHARDSON'S NEW METHOD

FOR THE PIANO-FORTE.

"Deserves our hearty recommendation."N. Y. Musical Review.

"Unexceptionable in taste and style."Dwight's Journal.

"We quite endorse Mr. Dwight's opinion." -N. Y. Musical World.

"A school that will do excellent service."Deutsche Musk-Zeiting, Phila.

Having an unprecedented sale."-Christian Freeman.

"All that it is represented to be."-Godey's Lady's Book.

"Soundest, clearest, and best book for the Plano "-Phila. Evening Bulletin.

"A work of solid and enduring merit."Phila, City Item.

Will supersede every other of the kind." Worcester Spy.

"An improvement on all other books."Syracuse Journal.

"Possesses merits not claimed by other works."-Cleveland Herald.

"Common sense, plain talk, and brevity."Boston Journal.

Best Piano Method we have ever seen."Chattanooga, Tenn. Advertiser.

"No Piano Book comparable in value to it." -New Covenant.

"Presents many new and important ideas." -N. Y. Tablet.

"No more perfect treatise on the piano."Norwich Courier.

"Distinguished by great and peculiar excellence."-Moravian.

"Possesses pre-eminently excellent qualities."-Providence Advertiser.

"General favorite with the musical public." -Biddeford Union.

"Highly commended by competent judges." -Christian Witness.

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Adapted to the wants of new beginners." -Times.

"Cannot fail to insure satisfactory progress." -A. T. Thorup.

Very best material, suited to all capacities."-H. Schwing.

"I hope that all teachers will adopt it."-F. A. Tepe.

"Guide to accomplished performances."J. Bellak.

"No work of equal merit is before the public."-C II. Loehr.

"Meets my unqualified approval."— W. S. B. Matthews.

"It is first on the list for teachers and pupils."-Journal, Hingham.

Nothing is wanted for intelligent progress." -National Quarterly Review.

"Possesses advantages never before introduced."-Clarion, Grand Haven, Mich. "Calculated to make one a musician."Evening Star, Washington, D. C.

With it pupils make very rapid progress" -E. Falk, Winchester, Va.

"Competent judges inform us it is excellent."-Standard, Raleigh, NC.

Inductive to a high standard of musical taste."-Independent, New York. Price Three Dollars. Mailed Free.

OLIVER DITSON & CO., Publishers, 277 Washington St., Boston.

CARD MUSIC FOR BANDS.

DITSON'S SELECT MUSIC FOR ERASS BANDS, including popu lar National Airs. Printed on cards for the use of Bands of fourteen or a less number of Instruments. Namely, 2 E flat Cornets: 3 B flat Cornets; 2 E flat Altos; 2 B flat Baritones; 1 B flat Bass Tuba, or Ophecleide; 1 E flat or F Bass Tuba; Bass Drum: Cymbals, and Side Drum. Parties in want of a good selection of Music for Bands, will find this unexceptionable It comprises:-I. Prima Donna Waltz, Jullien. 2. Katy Darling; Lilly Dale. 3. I would that my Love, Mendelssohn. 4. Do they Miss me at Home: Thou art Gone from my Gaze. 5. When the Swallows Homeward Fly. 6. Gentle Nettie Moore; Cheer, Boys, Cheer. 7. Syracuse Polka. 8. Anvil Chorus. 9. Serenale, by Schubert. 10 Coquette Polka. 11. Gipsy Polka 12. National Schottische. 13 Sontag Polka. 14. Fest March. 15. Wait for the Wagon: Jordan Quickstep. 16. Wedding March. 17. Elfin Waltz, Labitzky. 18. Evening Star Waltz, Lanner. 19. Shells of Ocean, and Silver Lake Waltz. 20. Tis the last Rose of Summer; Home, sweet Home. 21. Roy's Wife of Aldivalloch; My Lodging is on the Cold Ground; Annie Laurie. 22. Washington's March; Our Flag is there 23. Hail Columbia; Star-Spangled Banner. 24. God save the King; Yankee Doodle. 25. Silvery Shower. 26. Prison Song. 27. Love-not Quickstep. 28. Ever of Thec. 29. Medley-Dearest Spot and Darling Nelly Gray. 30 Departed Days, Serenade 31. O, Summer Night, Don Pasquale. 32. Marseilles Hymn. 33. La Norma March. 84 Wrecker's Daughter Quickstep. Wood-up Quickstep. 36. Duke of Reichstadt's Waltz. 37 Serious Family Polka. 38. Sultan's Polka. 39. Dead March in "Saul," Handel. 40. Eclipse Polka. 41. On to the Field. 42. Dixie's Land.-Each set is printed on stout cards, and neatly enclosed in an envelope Price per set, $1.00. Sent by mail, post-paid, on receipt of price. Published by OLIVER DITSON & CO., 277 WASHINGTON; ST., BOSTON.

85

HOLLE'S CHEAP MUSIC

JUST ARRIVED,

Schubert's Songs. 4th vol. $2 50. Singly, from 10 to 25c. each.

Dussek's Compositions for Piano (17 pieces for two and 2 pieces for four hands.) $350. Singly, from 10 to 50c. each.

Mozart. 18 Duos for Piano and Violin. $3 65.

Singly, from 10 to 30c. each. Brunner. Operatis Potpourris. (New Selection.) 25c. each.

THE WORKS FOR PIANO-FORTE BY Beethoven, Mozart, Haydn, Bach, Cle

THE

Musician's Guide

(A NEW EDITION.)

THIS WORK IS A DESCRIPTIVE CATALOGUE

(257 pages,)

Containing an analysis of nearly

menti, Weber, Hummel, Czerny, Bertini, 5,000 MUSICAL WORKS

Herz, Cramer, Kuhlau, Diabelli, Wollenhaupt and others, at about one third of their usual prices. Apply for catalogues. Beethoven's Trios for Piano, Violin, and Violoncello, $5. Singly, from 30 to 75c per Trio.

Schubert's Songs. 3 vols, (large size and print French and German text.) Each vol. $275. All three $7 50. Singly, from 10 to 87c. per number-containing several Songs.

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WHEELER & WILSON'S SEWING MACHINES.

New Improvements-Reduced Prices. TFACTURING CO. beg to state that, in

HE WHEELER & WILSON MANU

the reduction of the prices of thei Sewing Machines, the public shall have the benefit of the decisions of the United States Courts in favor of their patent. This reduction is made in the belief that they will hereafter have no litigation expenses in defence of their rights, The Wheeler & Wilson Sewing Machines will now be sold at rates that will pay fair profits on the capital invested, cost of manufacture, and expense of making sales-such prices as will enable the company, as heretofore, to sell first-class Machines, and warrant them in every particular.

They are adapted to every want that can be supplied by a Sewing Machine, and approved alike by Families, Dress-Makers, Corset-Makers, Gaiter Fitters, Shoe Binders, Vest Makers, and Tailors generally.

mer.

Published by

RUSSELL & TOLMAN.

Prefixed to which are sketches of the lives of the following distinguished composers:

JO IN SEBASTIAN BACH,
LOUIS VAN BEETHOVEN,
GEORGE FREDERICK HANDEL,
FRANCIS JOSEPH HAYDN,
WOLFANG AMADEUS MOZART,
SIGISMUND THALBERG.

It is a book of great value to all interested in Music, and to Teachers and Amateurs residing in the country it is indispensable.

THE MUSICIAN'S GUIDE differs materially from any other work of the kind ever published. To the title of every composition are appended a figure and a letter The fixures, numbering from 1 to 7. inclusive, indicate, according to a scale which may be found in this work, the character of the piece, wnether it is difficult or easy The letters, which are the Musical Alphabet, and extend from A to G, inclusive, show the key in which it is written i. e., the letter Ab signifies that the composition is in four flats; G, that it is written in one sharp, &c.

EXAMPLE.

Name of piece Key. Difficulty. Composer. Price Come to this heart so lonely, (C)........... Sarti, 25

The above piece is in the key of C, and the figure 2 indicates Second Class.

It will be apparent to all that in this way every piece is as thoroughly described as if it was explained and commented upon by itself, while, by the adoption of this plan, the whole Catalogue is brought within the compass of a pamphlet, which can be mailed at a trifling expense to any part of the world; and enables parties at a distance who are unacquainted with the music to select pieces of any descrip tion, or for any particular purpose.

THE MUSICIAN'S GUIDE also contains a Description and Price List of Musical Instruments of every description, such as

PIANO-FORTES, MELODEONS,

GUITARS,

BRASS INSTRUMENTS,

VIOLINS, FLUTES, &c.,

And a variety of valuable information not to be found in any other work of the kind now published.

It may be had GRATIS, on application to the publishers, or will be forwarded to any address in the United States, post paid on receipt of six cents in postage stamps to de

Each Machine complete with a Ilem-fray postage expenses OFFICE, No. 505 BROADWAY, N. Y. Send for a Circular. 26

RUSSILL & CHMAN, Tulidos,

291 Washington St., Boston.

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Composer of "The Haymakers," "The Flower Queen," "The Shining Shore," "Rosalie, the Prairie Flower," etc.; Author of "The Sabbath Bell," "The Shawm," "The Academy Vocalist," etc.

The best evidence of the manner in which Mr. Root's new book is received by the public is afforded by the fact that we have already had occasion to send to press THIRTY-EIGHT THOUSAND COPIES, though it is yet in the beginning of its first season.

It contains about half as much again more matter than any other of the new books, affording room for great variety and completeness in all its departments.

It contains an ample and careful selection of the old, well-known tunes, which are so generally considered indispensable in Singing-Schools as well as Choirs. Mr. Root succeeded in making arrangements with the proprietors of the copyrights of these to use all that he desired.

Yet its NEW TUNES are of course its main feature. These are from a variety of sources, including a large number from Mr. Root which have never before been published. There are also liberal contributions from Dr. Mason, Mr. Bradbury, and other eminent composers.

NEARLY ONE HUNDRED Anthems and Set Pieces, most of which are new, are included in its pages, affording the most ample variety for special occasions and the ordinary church-services. THE SINGING SCHOOL DEPARTMENT is very full, including over three hundred Exercises and Secular Pieces for Practice, more than two hundred of which are Songs, Part-Songs, Glees, Rounds, or other pieces set to words. This portion of the work includes also a brief Manual for Musical Instruction, prepared expressly for it by Dr. Lowell Mason. By a new arrangement, the music is nearly always printed with but one part on a staff, while two-thirds of the tunes are on large type, and all on very clear, distinct type. For sale by Booksellers generally.

Single copies sent by us to teachers for examination, by mail, post-paid, on receipt of Seventy-Five Cents.

Price in New York, $8 per dozen.

THE PEOPLE'S TUNE BOOK:

A CLASS-BOOK OF CHURCH MUSIC FOR CHOIRS, CONGREGATIONS, AND SINGING-SCHOOLS.

BY

LOWELL MASON, Dr. of Music.

Besides containing many excellent new tunes, the PEOPEE'S TUNE BOOK forms especially one of the best collections of the most useful and popular old tunes ever issued, and, with its large, clear type, with one part on a staff, and but two tunes on a page, cannot fail to be very popular as a Singing-School Book, as well as for Choirs and Congregations. Price in New York, $6 per dozen.

HASTINGS' CHURCH MUSIC.

BY

THOMAS HASTINGS, Dr. of Music.

The many friends of Dr. Hastings will welcome this work, which collects in one volume the choicest results of the labors for two score years, of this minent composer of Church Song. It has, indeed, been prepared at the suggestion of friends, who desired to possess in one volume those pieces which have proved most popular and useful in all the author's previous works. Like the PEOPLE'S TUNE BOOK, it is printed from clear large type, two tunes on a page. Every Choir and Musical Association should have a set of this book.

Price in New York, $6 per dozen.

BRADBURY'S ANTHEM BOOK:

A COLLECTION OF ANTHEMS, CHORUSES, OPENING AND CLOSING PIECES; ADAPTED TO THE WANTS OF CHOIRS, MUSICAL ASSOCIATIONS, CONVENTIONS, Erc.,

BY

WILLIAM B. BRADBURY.

The want of a new Anthem Book which should contain a greater variety of pieces for the various occasions of ordinary or special religious services than it is possible to include in an ordinary collection of Church Music, has led to the preparation of the present volume, which collects together the favorite old pieces, and presents many new ones, especially such as are suitable for opening and closing worship.

Retail price. $1 25.

Catalogues of our numerous Musical Publications sent to any address on application.

MASON

BROTHERS,

5 & 7 MERCER STREET, NEW YORK

LIGHTE & BRADBURY'S

PATENT INSULATED FULL IRON FRAME NEW SCALE

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GRAND &

SQUARE PIANO-FORTES.

The Insulators between the iron frame and wooden portions of the instrument, prevent the tinny, or metallic tone, so justly com plained of in the ordinary use of the Iron Frame, and give freedom to the vibratory portions of the instrument; thereby insuring a durability hitherto unattained, while the singing quality, power, and richness of tone, are greatly enhanced; thus entitling the Insulated Iron Frame to the first position in modern improvements to the Piano-Forte.

Testimonials in regard to the superiority of our New Scale Patent Insulated Piano-Fortes.

"I have examined the Piano-Fortes of Lighte & Bradburys with entire satisfaction. I know not that there are any others better, either in our own country or elsewhere." DR. LOWELL MASON. "In clearness, richness, and volume of tone, delicacy, elasticity of touch, and fine repeating action, I have never played upon their equal." H. A. WOLLENHAUPT. Be ing requested to express my opinion of your New Scale Patent Insulated Iron Frame Piano-Fortes, I am happy to say that I can accord with your wishes most cheerfully, as I have rarely found an Instrument that has afforded me so much pleasure. In volume, richness, evenness, and purity of tone, and in delicacy of touch, they certainly excel, as well as in that beautiful singing quality so desirable, yet so seldom found." WILLIAM MASON. "I have never played upon so rich and heavy a tone Square Piano-Forte."

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ARTHUR NAPOLEON.

"I am astonished and delighted with the New Scale Iron Frame Piano-Fortes made by you. There must be a splendid future for Lighte & Bradbury Piano-Fortes." GEO. F. ROOT. GEO. F. BRISTOW. "I consider them as to beauty, richness, fullness and equality of tone, as well as their agreeable, elastic touch, equal if not superior to any Pianos made in this country or Europe' KARL WELS. "In power, quantity, and equality of tone, they certainly excel; while for that peculiar rich and singing tone so invaluable as an accompaniment to the voice, I have never met their equal." C. BASSINI. GEO. H. CURTIS. MARCUS COLBURN. "I cannot refrain from saying, after some fourteen years' knowledge of your Piano-Fortes, and after using some 200 in schools and otherwise, that I consider your New Scale Patent Iron Frame the best Piano-Forte I ever saw."

"In strength, purity, and richness of tone, together with extraordinary vibratory qualities, they rank second to none." "They surpass very much in quality and brilliancy all the instruments I have ever seen. Their great power and pleasant touch give them the preference in the schools of this city over all others."

WAREROOM, 421 BROOME STREET,

FEW DOORS EAST OF BROADWAY,

F. H. NASH.

NEW YORK.

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MONEY for subscriptions, in sums not exceeding five dollars, may be sent by mail, at our risk, provided it is inclosed in the presence of the post master, and he takes a memorandum of the number and description of the bills.-Subscriptions may commence with any number, but none will be received for less than a year.-Be sure to write the name very plainly, and give the name of the post office, county and State.-Subscribers desiring to have their post-office address changed, must always give the name of the town to which their paper has been hitherto sent. The postage on THE REVIEW AND WORLD is thirteen cents per annum, payable quarterly in advance at the office where it is received: if within the State, the postage is one half that amount. Subscribers in Canada will remit twenty-xi∞ cents in addition to their subscriptions, as we have to pre-pay to the line, at the New York office, one cent on each number. Agents are desired to extend the circulation of THE REVIEW AND WORLD in every town.

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LOWELL MASON, Jr., }

PUBLISHED BY

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OF Schubert's Songs, none are, perhaps, so popular as those which are known under the title "Die Schoene Müllerin," words by Wilhelm Müller (born 1795, died 1827). This cycle contains twenty-five songs, of which, however, only twenty were set to music by Schubert.

Each of these songs forms in itself a perfect whole, although it is only a part of the whole cycle. The idea of musically illustrating certain feelings and sensations, in all their stages of development, Beethoven, too, has expressed in his "Liederkreis;" but, besides the difference in the subjects, the treatment by Beethoven must be considered ore according to the strict rules of the classical school, while Schubert, in his Miller Songs, displays all the charm of true romanticism.

Next to the "Müllerlieder," is the cycle "Die Winterreise" (The Winter Journey), words also by Müller, to which our attention is called. It contains twenty-four songs, mostly of a dark and melancholy characSchubert real the proofs of the second part of this cycle only a few days before his death. A great interest is attached to his "Songs of Ossian." In these the composer was to give warmth and life to the fogs and cold of the unfriendly fields of Caledonia, to illustrate, in vivid

ter.

colors, the roaring of the rapid [stream, the stillness of the heath and the moor, the playing of the Will-o'-the-wisp, and the storming call to the hunt, as well as to musically picture long and descriptive poems like "The Night" and "Loda's Ghost," in such a way as not to become monotonous. If we look at the masterly treatment of this difficult subject, as done by Schubert, then only nineteen years old, as well as at the intimate knowledge of right accentuation and prosody he exhibited in them, we do not know of any other composer who, under similar circumstances, could have done as well as he did.

Just as the first chords of the Ossian Songs remove us at once to a desolate and misty land, so, again, it is the atmosphere of romanticism and medieval knightdom which we breathe in listening to Schubert's illustration of Scott's "Lady of the Lake," "The Pirate," and "Richard Coeur de Lion." He never misses the appropriate expression for the most varied and strange subjects and situations, and just as he hits upon the right tone for the poems by Scott, so does he make us feel, in his treatment of the two poems, "Subika," the sultriness and the fragrancy of the sunny Orient.

Some of the most well-known and charming songs of Schubert are those which he wrote in the latter part of his life, and which, numbering fourteen, were published under the title "Schwanengesang" (Swan's Songs). It is among these that we find his last composition, "Die Tauhenpost" (Pigeon's Post), as well as his popular Serenade.

The songs by Schubert are a world in themselves. There is scarcely one phase of human life which has not found its musical expression in them. Love and hatred, joy and sadness, defiance and resignation, gentleness and anger-every passion, as given to men-has been illustrated, and the deepest secrets of the human heart are brought to light, sometimes in tones of sweetness and tenderness, but often, also, in those of deep and mighty passion.

A large list of Schubert's songs was formerly in the hands of his friend and admirer Pinterics, and is now owned by the music-publishing house of Spina, in Vienna. It contains 505 numbers, but is said not to be complete.

Of the songs for more voices, by Schubert, only the smaller part are strictly vocal, the others are with obligato accompaniment of the pianoforte, the guitar, the melodeon, and the organ. They are for three, four, five, and eight voices; there are also double choruses among them, for men's and female voices alone, but mostly for mixed chorus, with and without solo.

To songs without accompaniment belong the following ones for men's voices:- Jünglings wonne Liebe; Zum Rundetanz and Die Nacht (Night), words by Matthison; Die Flucht, by Lappe; Rauberlied, An des Frühling, Fischerlied, Der Entfernten, Der Wintertag, and the Quartet "Es rieselt klar und wehend "-sung for the first time at the inauguration of the tablet of memory on Schubert's house of birth, in Vienna. To these strictly vocal songs must be added the Canons a tre, composed in 1813; The Gravedigger's Song, Elysium, by Schiller, for two tenors and bass; Holz's Mai Song, for two sopranos and bass; Chorus of the Angels, from Faust, composed in 1816; Trio on the occasion of the birthday of his father, for two tenors and bass; Duo, Abendroth, by Kosegarten, and Klage um Aly Bey, each for three voices; Prayer, by De la Motte Fouque; and the Dance, quartets for mixed voices; the 92d Psalm, in Hebrew, for two baritones, soprano, alto, and bass, composed in 1828; Song in the Open Air, by Salis, quartet for men's voices, composed in 1817; "Wer Lebenslust Fühlet," quartet for two sopranos, tenor, and bass, composed in 1818. Further, the choruses: Das Grah, by Salis; Bergknappenlied, Trinklied vor der Schlacht, Schwertlied, Punschlied im Norden zu Singen, for two voices; Jagdlied, by Zacharias Werner; Lützow's Wilde Jagd, composed in 1815; Der Morgenstern and Jagerlied, by Korner, for two voices and two horns; Battle Song, by Klopstock, for three voices; and the beautiful double chorus, for men's voices, Schlachtlied, by Klopstock, composed in 1827.

To those with obligato piano-forte accompaniment belong the wellknown quartets for men's voices:-Das Dorfehen, Die Nachtigal, Geist der Liebe, Wider spruch, Der Gondelfahrer, Im Gegenwartigen, Ver

gangenes, Nachtgesang im Walde, Frühlingslied, Naturgenuss, Nat musik, by Seckendorf; Trinklied, from the fourteenth century, fom the historical antiquities, by Ritsgraff; and the Boating Song, from Scott's Lady of the Lake. Further, the two comical trios-The Lawyers, for two tenors and bass, and the Wedding Meal, by Schober, for soprano, tenor, and bass; An die Sonne, quartet for mixed voices, composed in 1816; Der Schickalslenker, Gott in Unge witter, Gott der Weltschoepfer, Hymne an den Unendlichen, Gott in der Natur, also for mixed voices; the Psalm "Gott ist mein Hirt," for female chorus (four voices); Nachthelli and Standchen, for solo and female chorus; Der Mondenschein, by Schober, quintet for men's voices (two tenors and three basses); Coronach, Death's Song, from Scott's "Lady of the Lake," for two sopranos and alto; Minjam's Siegesgesang, for soprano and alto, solo and mixed chorus; at last, the chorus for eight men's voices, "Seklachtlied," by Korner; and also the "Hymn" for eight voices; this last one, also, with accompaniment of wind instruments.

The following songs for several voices are with accompaniment of the orchestra:-The chorus "Auf den Sieg der Deutschen," accompanied by violins, and violoncellos; Song of the Spirits over the Waters, by Goethe, chorus for eight voices, with accompaniment of violins, violoncellos, and bass-viols, composed in 1817; and the cantatas Der Frühlings morgen, Empfindungs Aeusseungen des Witwten-Institutes der Schullehrer Wiens für den Stifter und Vorsteher der selben, Domherrn Spendu,* for solo, chorus, and orchestra, composed in 1818-1819; Glaube, Hoffnung, und Liebe (Faith, Hope, and Love), for men's and mixed chorus (accompaniment of wind instruments), by Reil, which has, unfortunately, not been preserved; Prometheus, composed in 1816; Die Erweckung des Lazarus, Easter cantata for singing and orchestra, of which, however, only the first part was composed (in 1820); and Volkslied, by Deinkartstein, for chorus and orchestra, performed in February, 1822, on the celebration of the birthday of the Emperor Franz. The Constitution), and is as such designated, with op. 157, in the catalogue same song was published in 1848 as "Constitutionslied" (Song of the

of Schubert's works.

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The longest title, probably, ever given to a cantata, as may be seen from the English translation-" Uttering of Feelings of the Members of the Institute of Widows of the Schoolmasters of Vienna for the Founder and Director of the same." This cantata consists in a solo for bass, a solo for soprano (the wife's), chorus of the children, solo of the mother, a duo between the widow and an orphan, a solo of the bass, chorus of the widows, again, a solo for bass, and a quartet for mixed voices. The piano score was written by Ferd. Schubert. Per haps this cantata is worthy of the attention of our Professors of School Music-TRANSLATOR + Performed in New York. Also performed in New York.-TRANS (To be continued.)

MUSIC IN PRIMARY SCHOOLS.-Another exercise which should enter into every scheme of primary instruction, is vocal music. Its claims to public recognition as a regular school exercise, rest upon its value as a means of cultivating the ear to a nice discrimination of sounds, and of the vocal organs to an accurate utterance of the notes of the gamut -upon the rich and pure fountain of enjoyment which it opens to its possessors—but especially upon its blessed and tranquilizing influence upon the minds and hearts of the children in the school-room. As an auxiliary in government, its aid is invaluable.-New York Teacher.

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