Archive Stories: Facts, Fictions, and the Writing of HistoryAntoinette Burton Duke University Press, 25 Á.¤. 2006 - 408 ˹éÒ Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles |
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... debate across the world. From undergraduate classrooms to the trials of Holocaust deniers to the tribunals of the ... debates that engage the challenges of ''telling the truth about history'' have had very real political and material ...
... debate about the nature of citizenship after apartheid.≥ Such a project was and is tied to ''making public memory ... debates over memory and forgetting in postwar contexts from Germany to Korea, and, increasingly, in human rights ...
... debate. The respectability which oral history has gradually gained in the past twenty five years, together with the emergent phenomenon of the Internet-as-archive, has helped to prize open canonical notions of what counts as an archive ...
... debates about the very possibility of memory without o≈cial archives.≤≤ But our insistence on the necessity of talking about the backstage of archives—how they are constructed, policed, experienced, and manipulated—stems equally from ...
... can raise the intellectual stakes of a project, particularly when that encounter is embedded in larger debates about postcolonial identity, indigenous sovereignty, and bi-culturalism of the kind which have Introduction 11.
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1 | |
25 | |
Official Archives and CounterHistories | 157 |
The Past in the Present | 297 |
Select Bibliography | 375 |
Contributors | 381 |
Index | 385 |