Practice in Parsing and Analysis |
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active voice adjective adverb ANALYSIS beautiful begin beneath birds blue boughs bright broad brown called child clause clouds comes connection CONSTRUCTION dark deep earth EXERCISE eyes fair fall feet field fire forest glad green hand hath head hear heard heart heaven hill Independent Indicative Mood joined kings land learned leaves lift light living look meaning merry mist Mood morning mountain murmur nature never night noun o'er object PARSING participle passed passive voice past perfect person plays present pronoun relative pronoun rising rocks rose round sentence shade shadows side silent singing slow soft Sometimes song sound speech stand stars stood stream studied summer sweet takes tense thing thoughts town trees truth verb walk waters waves wild wind wing woods
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˹éÒ 82 - St Agnes' Eve — Ah, bitter chill it was! The owl, for all his feathers, was a-cold ; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold...
˹éÒ 80 - The stag at eve had drunk his fill, Where danced the moon on Monan's rill, And deep his midnight lair had made In lone Glenartney's hazel shade...
˹éÒ 84 - Or at some fruit-tree's mossy root, Casting the body's vest aside. My soul into the boughs does glide; There, like a bird, it sits and sings, Then whets and combs its silver wings, And, till prepared for longer flight, Waves in its plumes the various light.
˹éÒ 78 - TO him who in the love of nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware.
˹éÒ 42 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.
˹éÒ 80 - A boy's will is the wind's will, And the thoughts of youth are long, long thoughts." Strange to me now are the forms I meet When I visit the dear old town; But the native air is pure and sweet, And the trees that o'ershadow each well-known street, As they balance up and down, Are singing the beautiful song, Are sighing and whispering still: "A boy's will is the wind's will, 80 And the thoughts of youth are long, long thoughts.
˹éÒ 83 - Soldier, rest ! thy warfare o'er, Sleep the sleep that knows not breaking ; Dream of battled fields no more, Days of danger, nights of waking. In our isle's enchanted hall, Hands unseen thy couch are strewing, Fairy strains of music fall, Every sense in slumber dewing. Soldier, rest ! thy warfare o'er, Dream of fighting fields no more : Sleep the sleep that knows not breaking, Morn of toil, nor night of waking.
˹éÒ 79 - Since once I sat upon a promontory, And heard a mermaid on a dolphin's back Uttering such dulcet and harmonious breath. That the rude sea grew civil at her song, And certain stars shot madly from their spheres, To hear the sea-maid's music.
˹éÒ 85 - On the blanch'd sands a gloom ; Up the still, glistening beaches, Up the creeks we will hie, Over banks of bright seaweed The ebb-tide leaves dry. We will gaze, from the sand-hills, At the white, sleeping town ; At the church on the hill-side — And then come back down. Singing : " There dwells a loved one, But cruel is she ! She left lonely for ever The kings of the sea.
˹éÒ 78 - Sabrina fair, Listen where thou art sitting Under the glassy, cool, translucent wave, In twisted braids of lilies knitting The loose train of thy amber-dropping hair; Listen for dear honour's sake, Goddess of the silver lake, Listen and save! Listen, and appear to us, In name of great Oceanus, By the earth-shaking Neptune's mace, And Tethys...
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| ª×èÍ˹ѧÊ×Í | Practice in Parsing and Analysis |
| ¼Ùéáµè§ | Helen Arnold |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Little, Brown,, 1906 |
| µé¹©ºÑºÁÒ¨Ò¡ | Harvard University |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 28 ÁÕ.¤. 2007 |
| ¤ÇÒÁÂÒÇ | 92 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |