An Introduction to the Study of Robert Browning's PoetryD. C. Heath & Company, 1886 - 338 ˹éÒ |
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˹éÒ 9
... past feel- ing , gave themselves over unto lasciviousness , to work all unclean- ness with greediness . " The age , as Emerson says , had no live , distinct , actuating convictions . It was in even worse than a nega- tive condition . As ...
... past feel- ing , gave themselves over unto lasciviousness , to work all unclean- ness with greediness . " The age , as Emerson says , had no live , distinct , actuating convictions . It was in even worse than a nega- tive condition . As ...
˹éÒ 17
... past where he reconstructed a mythical Greek world after the designs of his own fancy , Shelley into a future where he sought in a new and distant era , in a new and distant world , a refuge from the pres Wordsworth , and the other ...
... past where he reconstructed a mythical Greek world after the designs of his own fancy , Shelley into a future where he sought in a new and distant era , in a new and distant world , a refuge from the pres Wordsworth , and the other ...
˹éÒ 18
... past because he believed it was connected with the future , and because he could use it as an artistic setting for exhibiting an ideal world in the future . ― ― " This problem of escape to rescue the soul from the clutches of time ...
... past because he believed it was connected with the future , and because he could use it as an artistic setting for exhibiting an ideal world in the future . ― ― " This problem of escape to rescue the soul from the clutches of time ...
˹éÒ 28
... past . This true , crea- tive poet , whom the speaker calls " God's glow - worm , " creative in the sense of revealing , whose inmost centre , where truth abides in fulness , has that freedom of responsiveness to the divine which makes ...
... past . This true , crea- tive poet , whom the speaker calls " God's glow - worm , " creative in the sense of revealing , whose inmost centre , where truth abides in fulness , has that freedom of responsiveness to the divine which makes ...
˹éÒ 29
... past . IV . That day , the earth's feast - master's brow Shall clear , to God the chalice raising ; “ Others give best at first , but Thou Forever set'st our table praising , Keep'st the good wine till now ! " V. Meantime , I'll draw ...
... past . IV . That day , the earth's feast - master's brow Shall clear , to God the chalice raising ; “ Others give best at first , but Thou Forever set'st our table praising , Keep'st the good wine till now ! " V. Meantime , I'll draw ...
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An Introduction to the Study of Robert Browning's Poetry Robert Browning,Hiram Corson ÁØÁÁͧ·Ñé§àÅèÁ - 1886 |
An Introduction to the Study of Robert Browning's Poetry Robert Browning,Hiram Corson ÁØÁÁͧ·Ñé§àÅèÁ - 1886 |
An Introduction to the Study of Robert Browning's Poetry Robert Browning,Hiram Corson ÁØÁÁͧ·Ñé§àÅèÁ - 1886 |
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Abt Vogler Andrea Andrea del Sarto artist beauty better Bishop Book breast Browning Soc Browning's poetry Cerinthus Christ Christian church Cimabue Cleon dead death divine Duchess Duke earth Edward Dowden expression eyes face faith feel flesh Florence Fra Lippo Lippi Giotto give hand head heart heaven human intellect Jacynth John King Last Duchess life's Lippi live look man's Masaccio master means mind monologue nature never o'er once painter painting Paracelsus passion perfect personality picture play poem poet poet's Pope praise Rabbi Ben Ezra reached Ring Robert Browning round Saint Saul sense Shakespeare smile song Sordello soul soul's speak speaker spirit stanza sweet Taddeo Gaddi Tennyson thee there's things thou thought TOCCATA OF GALUPPI'S tomb true truth turn Vasari verse Vogler wife word youth
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˹éÒ 22 - For woman is not undevelopt man, But diverse : could we make her as the man. Sweet Love were slain : his dearest bond is this, Not like to like, but like in difference. Yet in the long years liker must they grow ; The man be more of woman, she of man ; He gain in sweetness and in moral height, Nor lose the wrestling thews that throw the world; She mental breadth, nor fail in childward care, Nor lose the childlike in the larger mind; Till at the last she set herself to man, Like perfect music unto...
˹éÒ 274 - Therefore to whom turn I but to thee, the ineffable Name? Builder and maker, thou, of houses not made with hands! What, have fear of change from thee who art ever the same? Doubt that thy power can fill the heart that thy power expands? There shall never be one lost good! What was, shall live as before...
˹éÒ 193 - And bade me creep past. No! let me taste the whole of it, fare like my peers The heroes of old, Bear the brunt, in a minute pay glad life's arrears Of pain, darkness and cold. For sudden the worst turns the best to the brave, The black minute's at end, And the elements...
˹éÒ 274 - All we have willed or hoped or dreamed of good, shall exist ; Not its semblance, but itself; no beauty, nor good, nor power Whose voice has gone forth, but each survives for the melodist, When eternity affirms the conception of an hour.
˹éÒ 88 - Will't please you sit and look at her? I said "Fra Pandolf" by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have...
˹éÒ 321 - Oh, our manhood's prime vigour ! no spirit feels waste, Not a muscle is stopped in its playing, nor sinew unbraced. Oh, the wild joys of living ! the leaping from rock up to rock — The strong rending of boughs from the fir-tree, — the cool silver shock Of the plunge in a pool's living water, — the hunt of the bear, And the sultriness showing the lion is couched in his lair.
˹éÒ 21 - It is the land that freemen till, That sober-suited Freedom chose. The land, where girt with friends or foes A man may speak the thing he will ; A land of settled government, A land of just and old renown, Where Freedom broadens slowly down From precedent to precedent...
˹éÒ 266 - To comfort me on my entablature Whereon I am to lie till I must ask " Do I live, am I dead?" There, leave me, there ! For ye have stabbed me with ingratitude To death — ye wish it — God, ye wish it ! Stone...
˹éÒ 242 - That arm is wrongly put — and there again A fault to pardon in the drawing's lines, Its body, so to speak: its soul is right, He means right - that, a child may understand.
˹éÒ 331 - Tis the weakness in strength, that I cry for ! my flesh, that I seek In the Godhead ! I seek and I find it. O Saul, it shall be A Face like my face that receives thee; a Man like to me, Thou shalt love and be loved by, forever: a Hand like this hand Shall throw open the gates of new life to thee! See the Christ stand!