| James Schiffer - 2000 - 500 หน้า
...— "So long lives this, and this gives life to thee" (18.14)7 — and a revised rhetorical purpose: "A woman's face, with Nature's own hand painted, /...With shifting change, as is false women's fashion" (20.1-4). Has Shakespeare somehow learned that the woman he was trying to persuade the young man to... | |
| James Schiffer - 2000 - 500 หน้า
...— "So long lives this, and this gives life to thee" (18.14)7 — and a revised rhetorical purpose: "A woman's face, with Nature's own hand painted, /...A woman's gentle heart, but not acquainted / With shining change, as is false women's fashion" (20.1-4). Has Shakespeare somehow learned that the woman... | |
| Robert Nye - 1999 - 428 หน้า
...manual ministrations. It was after this little incident that he wrote sonnet 20, the one that begins A woman's face with nature's own hand painted Hast thou, the Master-Mistress of my passion . . . In it, he goes on to say that I was first created to be a woman, till nature fell a-doting over... | |
| Betty Travitsky, Anne Lake Prescott - 2000 - 434 หน้า
...SONNETS SONNET 20 A woman's face with Nature's own hand painted Has thon, the maste?-mistress of?ny passion; A woman's gentle heart, but not acquainted...false in rolling, Gilding the object whereupon it gazeth;^ 18. In a rare fashion, exceptionally. A man in hue, 20 all hues in his controling, 2 ^ Which... | |
| Betty Travitsky, Anne Lake Prescott - 2000 - 440 หน้า
...woman's face with Nature's own hand painted Has thott, the master-mistress of my passion; A woman 's gentle heart, but not acquainted With shifting change,...false in rolling, Gilding the object whereupon it gazeth;^ 18. In a rare fashion, exceptionally. A man in hue,20 all hues in his controling,21 Which... | |
| Richard Jacobs - 2001 - 504 หน้า
...radically unstable about the way the sonnets present the relationship between Shakespeare and the youth. 20 A woman's face with Nature's own hand painted Hast...false in rolling, Gilding the object whereupon it gazeth, A man in hue, all hues in his controlling, Which steals men's eyes and women's souls amazeth.... | |
| Margreta de Grazia, Stanley Wells - 2001 - 352 หน้า
...development. And nowhere is Shakespeare more challenging than in the poem which follows the procreation group: A woman's face with nature's own hand painted Hast...false in rolling, Gilding the object whereupon it gazeth; A man in hue, all hues in his controlling, Which steals men's eyes and women's souls amazeth.... | |
| William Shakespeare - 2001 - 212 หน้า
...pattern ideal model 20 1 A woman's face, with Nature's own hand painted, 2 Hast thou, the master mistress of my passion; A woman's gentle heart, but not acquainted...With shifting change, as is false women's fashion; 5 An eye more bright than theirs, less false in rolling, 6 Gilding the object whereupon it gazeth;... | |
| Richard R. Bozorth - 2001 - 364 หน้า
...bevel," but also sonnet 20, notoriously concerned with the natural artifice of the young man's beauty: "A woman's face, with nature's own hand painted, / Hast thou, the master-mistress of my passion." 5 To treat the sexual overtones of this sonnet as codes is to read it as a poem whose oblique message... | |
| Robert Samuels - 2001 - 210 หน้า
...the poet's own name. 42 In sonnet 20, the poet's repressed bisexual desire comes out into the open: "A woman's face with nature's own hand painted / Hast Thou, the master-mistress of my passion" (20.1-2). Not only does the poet tie his own name to the presence of bisexuality but he also turns... | |
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