 | Ralph Waldo Emerson - 1903 - 524 หน้า
...remote, the romantic; what is doing in Italy or Arabia ; what is Greek art, or Proven9al minstrelsy ; I embrace the common, I explore and sit at the feet of the faGive me insight into to-day, and| you may have the antique and future worlds. What would we really... | |
 | George Rice Carpenter, William Tenney Brewster - 1904 - 504 หน้า
...remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Provencal minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Mayo Williamson Hazeltine - 1905 - 460 หน้า
...remote, the romantic, what is doing in Italy or Arabia, what is Greek art or Provencal minstrelsy; I embrace the common; I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Kuno Francke - 1907 - 372 หน้า
...never lived an American who in this respect was more closely akin to the German temper than Emerson ? He was, indeed, the Jean Paul of New England. New...whole life a practical application of his own precept : — He (the student) must embrace solitude as a bride. He must have his glees and his glooms alone.... | |
 | Ralph Waldo Emerson - 1907 - 270 หน้า
...remote, the romantic ; what is doing in Italy or Arabia ; what is 25 Greek art, or Provencal minstrelsy ; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day and you may have the antique and future worlds. What would we really know... | |
 | Evelyn May Albright - 1907 - 276 หน้า
...treatment of material? And we find we have made little progress. Again, Howells says, with Emerson : "I ask not for the great, the remote, the romantic. ... I embrace the common; I sit at the feet of the familiar and the low." But here the realist joins hands with the human romanticist.... | |
 | Julian Willis Abernethy - 1907 - 518 หน้า
...in "Criticism and Fiction." A text from Theory of Emerson embodies his whole theme: "I Fiction agk not for the great, the remote, the romantic. I embrace the common ; I sit at the feet of the familiar and the low." The material of the novel must be plain, average, everyday... | |
 | 1909 - 540 หน้า
...remote, the romantic; what is doing in Italy or Arabia; what is Greek art or Provencal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Ralph Waldo Emerson - 1909 - 636 หน้า
...remote, the romantic; what is doing in Italy or Arabia; what is Greek art or Provenqal minstrelsy; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. What would we really know... | |
 | Ralph Waldo Emerson - 1912 - 314 หน้า
...remote, the romantic ; what is doing in Italy or Arabia ; what is Greek art, or Provenqal minstrelsy0; I embrace the common, I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique 30 and future worlds. What would we really... | |
| |
I embrace the common; I explore and sit at the feet of the familiar, the low. Give me insight into to-day, and you may have the antique and future worlds. 
