Shakespeare's poems the creative power and the intellectual energy wrestle as in a war embrace. Each in its excess of strength seems to threaten the extinction of the other. At length in the drama they were reconciled, and fought each with its shield... The Atlantic Monthly - ˹éÒ 1091867ÁØÁÁͧ·Ñé§àÅèÁ - à¡ÕèÂǡѺ˹ѧÊ×ÍàÅèÁ¹Õé
| Samuel Taylor Coleridge - 1853 - 528 ˹éÒ
...father's garden — One that did force your valiant son to yield,"] &Q. — Ed. * " In Shakspeare's Poems the creative power and the intellectual energy wrestle as in a war-embrace. Each in its excess of strength seems to threaten the extinction of the other. At length,... | |
| Samuel Taylor Coleridge - 1854 - 766 ˹éÒ
...andjthe-Jiagraney of all human knowledge, human thoughts, human passions, emotion, language. In Shakspeare's poems the creative power and the intellectual energy...each with its shield before the breast of the other. Or like two rapid streams, that, at their first meeting within narrow and rocky banks, mutually strive... | |
| Samuel Taylor Coleridge - 1864 - 770 ˹éÒ
...fragrancy of all human knowledge, human thoughts, human passions, emotion, language. In Shakspeare's poems the creative power and the intellectual energy...each with its shield before the breast of the other. Or like two rapid streams, that, at their first meeting •within narrow and rocky banks, mutually... | |
| Samuel Taylor Coleridge - 1864 - 772 ˹éÒ
...human knowledge, human thoughts, human passions, emotion, language. In Shakspeare's poems the ereative power and the intellectual energy wrestle as in a...each with its shield before the breast of the other. Or like two rapid streams, that, at their first meeting within narrow and roeky hanks, mutually strive... | |
| Edwin Percy Whipple - 1869 - 382 ˹éÒ
...deficient in the passions, of the poet. The poem is a throng of thoughts, fancies, and imaginations, somewhat cramped in the utterance. Coleridge says...say that in his earlier poems his intellect, acting in some degree apart from his sensibility, and playing with its own ingenuities of fancy and meditation,... | |
| William Shakespeare - 1890 - 478 ˹éÒ
...comedy the bold figure that Coleridge has less appropriately employed as to the early poems, that ' the creative power and the intellectual energy wrestle as in a war embrace.' In no other play, at least, do we find the bright imagination and fascinating grace of Shakespeare's... | |
| Thomas Sinclair - 1878 - 334 ˹éÒ
...creative power and the intellectual energy fighting destructively in the Poems, at length in the drama were reconciled, and fought each with its shield before the breast of the other.' This is one of Coleridge's judgments, and we do not feel inclined to follow him trustfully after getting... | |
| William Shakespeare - 1881 - 328 ˹éÒ
...fragrance of all human knowledge, human thoughts, human passions, emotions, language. In Shakespeare's poems, the creative power and the intellectual energy wrestle as in a war-embrace. Each in its excess of strength seems to threaten the extinction of the other. At length,... | |
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