Front cover image for Bruckner studies

Bruckner studies

Timothy L. Jackson (Editor), Paul Hawkshaw (Editor)
Bruckner Studies presents the latest musicological and theoretical research on the life and music of Anton Bruckner. It is the most important English-language book on the composer since Robert Simpson's The Essence of Bruckner. The essays provide new biographical insights into his enigmatic personality, working procedures, and circle of students and friends; consider the fascinating history of the dissemination of his music during his lifetime and in this century, including its reception in Nazi Germany; and provide new analytical perspectives on his musical style and its origins. The volume challenges the reader to reassess the man and his music in a new light, unencumbered by decades of special interest and propaganda which have coloured perceptions of Bruckner for more than a century
Print Book, English, 1997
Cambridge University Press, [New York], 1997
Criticism, interpretation, etc
xv, 301 pages : illustrations, portraits, music, facsimiles ; 26 cm
9780521570145, 052157014X
35298596
List of plates; Preface; List of abbreviations; Part I. Historical Studies: 1. An anatomy of change: Anton Bruckner's revisions to the Mass in F Minor Paul Hawkshaw; 2. A hidden personality: access to an 'inner biography' of Anton Bruckner Elisabeth Maier; 3. Bruckner and Viennese Wagnerism Margaret Notley; 4. The annexation of Anton Bruckner: Nazi revisionism and the politics of appropriation Bryan Gilliam; 5. 'Return to the pure sources': the ideology and text-critical legacy of the first Bruckner Gesamtausgabe Benjamin Marcus Korstvedt; 6. Bruckner and the Bayreuthians; or, Das Geheimnis der Form bei Anton Bruckner Stephen McClatchie; 7. Josef Schalk and the theory of harmony at the end of the nineteenth century Robert W. Wason; Part II. Analytical Studies: 8. The finale of Bruckner's Seventh Symphony and tragic reversed sonata form Timothy L. Jackson; 9. Some aspects of prolongation procedures in the Ninth Symphony (Scherzo and Adagio) Edward Laufer; 10. Bruckner's sonata deformations Warren Darcy; 11. Phrase rhythm in Bruckner's early orchestral Scherzi Joseph C. Kraus; Index.